Mr. Eisenberg. And those are in evidence, are they, as one of the standards, Mr. Cole?
Mr. Cole. Yes, sir.
Mr. Eisenberg. That was described in the record when you introduced it?
Mr. Cole. Yes; the signatures as endorsements on these several checks show what might be described as an exaggerated freedom and carelessness in the execution of this signature.
Mr. Eisenberg. Excuse me, was that 776, that exhibit consisting of the checks?
Mr. Cole. Yes, sir; the signatures and endorsements of the checks in Exhibit 776 show some variation with respect to the care and formation of letters. There are a few endorsements in that group which show a greatly exaggerated freedom or a carelessness in execution. These signatures appear on, especially on, check numbers 2408 and 2506 of this exhibit, and they compare quite favorably in detail with the signature shown by the photograph, Commission Exhibit 815.
Now with regard to the writing of the name "A. J. Hideel" we observed in the combination of letters "Hi" that that letter is joined by means of a projection of a crossbar into the letter "i"; that in the letter "e," which is separated from the preceding "d," there is a very high placement of the loop, that is, instead of beginning at the writing line, the loop of the letter begins about halfway up on the staff, and this is a form that is very familiar in the standard writing, particularly in the handprinted forms. For example, on chart C, item 3, the final "e" in the word "discharge" shows a similar effect. Also on chart C, item 6, the second line, in the name "Mercedes" we have got two "e's" that show a similar effect.
The final "l" shows this perceptible increase of pressure on the downstroke, and a very abrupt terminal stroke also, which had been previously mentioned as being a characteristic of chart B, item 6, in the word "enroll."
Now with regard to the handprinting as shown by Commission photograph Exhibit 814, and considering particularly the name "Oswald," we have a detailed agreement in every feature of letter forms there, and I will direct attention especially to the use of the lowercase "l" and "d" as associated with the capital or uppercase forms of the other four letters of the name, and I will also mention the method of forming the "d," considering first one of the standards where it can be seen more clearly. On chart C, item 6, the first line, final "d" of "Oswald" shows first a fairly long downstroke, then a stroke rising from the end of that downstroke moving upwards and to the left to form the body of the letter, and this method of formation is also used in the "d" of "Oswald" as shown by the photograph Exhibit 814.
On the next line below there is faintly visible the name "Orleans" and I will direct attention to the base of the "l," which shows a rather deep compound curve. That is, here again, instead of having a simple horizontal line to represent the base of that printed letter, there is a fairly deep curve which is found in the standard writing in several places, one example being chart C, item 4.