Mr. Couch. Not with determination. I cannot recall at this moment whether some of my pictures I took when I ran back might have a sweeping shot of the entrance through a wide angle lens. But not with determination. I didn't plan to take pictures of it.
Mr. Belin. Would these shots—these wide angle lens shots, if anyone were standing in front of the building or leaving the building at that time, would you be able to identify them, or would they be too far away?
Mr. Couch. They would be too far away. Possibly if the frames were blown up, one might determine if someone was standing there—identify someone.
Mr. Belin. About how many minutes after the last shot would you say you came back to take these pictures?
Mr. Couch. Well, I'd say it took me—uh—maybe a minute and a half to get back to there after this third shot—because we weren't but seconds getting down underneath that underpass after we made the turn.
Mr. Belin. Uh-huh.
Mr. Couch. And—uh—I jumped out and ran back. So, I'd say not over a minute and a half.
Mr. Belin. And then you started taking general sweeping shots of the area?
Mr. Couch. Right.
Mr. Belin. Were most of the shots directed at people along the side there as to what their reactions were, or were most of the shots directed at the School Book Depository Building?