Mr. Eisenberg. And Cadigan Exhibit No. 30, representing respectively the back and front of Commission Exhibit No. 1.

(The documents referred to were marked Cadigan Exhibits Nos. 29 and 30.)

Mr. Eisenberg. Now, by use of photographs Cadigan Exhibits Nos. 25 through 30, could you explain some of the reasons which led you to your conclusion?

Mr. Cadigan. Yes; and I would point out that in addition to the four enlargements written in Russian, I also used Cadigan Exhibits or the documents represented by Cadigan Exhibits Nos. 4 through 10, the known standards of Oswald, since there are English letters interspersed with the Russian writing on Commission Exhibit No. 1. Thus, for example, in the second line in Cadigan Exhibit No. 29 appears the word "to" which is directly comparable to the same word appearing in Cadigan Exhibits Nos. 4 through 10. This is characterized by a long sweeping upstroke, and the recurving downstroke cuts the staff about in half. And the "o" is without any tail, and it is relatively small and set fairly close into the staff. The "t" crossing is rather long and fairly high.

I noted these same characteristics in Cadigan Exhibits Nos. 4 through 10.

Further, there is the wording in English, "Red Cross" appearing about two-thirds of the way down the side of the page beginning with the numeral 6, and here, again, I noted the same characteristics in the English hand printing in Cadigan Exhibits Nos. 4 through 10. Again, the use of the small "e" and the small "d" in conjunction with the capital "R," and then in the word "cross" he has used the capital letters. On the face of the Commission Exhibit No. 1 appear the printed English letters "ERVAY" which are almost directly comparable with the name "Lee Harvey Oswald" in Cadigan Exhibit No. 10. The E here is characterized by the little loop at the base of the staff. The "R" has a flat closed loop on the left side of the staff. The "Y" is constructed of two strokes, almost a perfect "V" shape for the body and a tail slanting back away from it.

The letter "p" or what appears to be the letter "p," indicated by the roman numeral 2 and a red arrow, is similar to the English "p," characterized by a long narrow staff without much of a loop. The body of the letter extends above the staff and the base is open. The bottom of the letter is not closed in.

The numeral "1" on the chart Cadigan Exhibit No. 29 points to a Russian character which resembles somewhat the English letter "G," the capital letter G. This is characterized by a rather large elongated loop along the left side of the upstroke, and the finishing stroke is short and straight.

The numeral "3" in red on Cadigan Exhibit No. 29 points to the Russian word which resembles the English word "tbi." The "t" has a very long beginning upstroke. The crossing of the "t" is high and is at the top of the letter. The b is formed with a straight staff on the back side, and there is a well spaced connection to the following letter which resembles the English letter "i."

I further noted that on this same side of the document shown in Cadigan Exhibit No. 29 in the second to the last line from the bottom appears the combination "exa," which is directly comparable with the "exa" in "Texas" appearing on the photograph Cadigan Exhibits Nos. 6, 4, and 9, among others. Again this characteristic way of making the "x" is almost like a "u" or an open "o." There is a little extra stroke that breaks off of the "x" so that instead of looking like "exa" it has the appearance of "eva" with a diagonal stroke through the "v."