Mr. Redlich. This correspondence will show that the Commission advised Life magazine of your prior testimony, and requested of Life magazine the original photograph upon which the retouching was performed. Does Shaneyfelt Exhibit No. 13 purport to be that original photograph, Mr. Shaneyfelt?
Mr. Shaneyfelt. Yes; it does.
Mr. Redlich. And Shaneyfelt Exhibit No. 13 was forwarded to you by the Commission for examination; was it not?
Mr. Shaneyfelt. That is correct.
Mr. Redlich. The Commission asked you to examine that photograph in order to describe in greater detail the actual retouching which was performed on that photograph preparatory to publication; is that correct?
Mr. Shaneyfelt. That is right.
(Shaneyfelt Exhibit No. 14 was marked and introduced.)
Mr. Redlich. I now hand you another exhibit which is designated as Shaneyfelt Exhibit No. 14, and ask you to describe how it was made, and what it purports to demonstrate?
Mr. Shaneyfelt. Shaneyfelt Exhibit No. 14 is a chart that I prepared to illustrate the retouching that I found in my examination of the Life magazine photograph which is Shaneyfelt Exhibit No. 13. This chart consists of three different photographs. Photograph A is a normal print of Commission Exhibit No. 133-A. Photographs B and C are photographs of the Life magazine picture, which is Shaneyfelt Exhibit No. 13, made using special lighting technique in order to portray the retouching that has been added to the Life magazine photograph, Shaneyfelt Exhibit No. 13.
Mr. Redlich. On each of these three photographs there appear a series of numbers starting with No. 1, and running consecutively through No. 11; is that correct?