Revised Edition

W.H. WHITE AND CO. LTD.
RIVERSIDE PRESS, EDINBURGH

TO THE MEMBERS
OF
THE NATIONAL LITERARY SOCIETY OF DUBLIN
AND THE
IRISH LITERARY SOCIETY OF LONDON

CONTENTS

PAGE
Preface[xiii]
Modern Irish Poetry[xvii]
Old AgeOliver Goldsmith (1725-1774)[1]
The Village PreacherOliver Goldsmith (1725-1774)[2]
The Deserter's MeditationJohn Philpot Curran (1750—1817)[3]
'Thou canst not boast'Richard Brinsley Sheridan (1751-1816)[4]
Kathleen O'MoreJames Nugent Reynolds ( -1802)[5]
The Groves of BlarneyRichard Alfred Milliken (1767-1815)[6]
The Light of other DaysThomas Moore (1779-1852)[10]
'At the Mid Hour of Night'Thomas Moore (1779-1852)[11]
The Burial of Sir John MooreRev. Charles Wolfe (1791-1823)[12]
The Convict of ClonmelJeremiah Joseph Callanan (1795-1839)[14]
The Outlaw of Loch LeneJeremiah Joseph Callanan (1795-1839)[16]
Dirge of O'Sullivan BearJeremiah Joseph Callanan (1795-1839)[17]
Love SongGeorge Darley (1795-1846)[20]
The Whistlin' ThiefSamuel Lover (1797-1868)[22]
Soggarth AroonJohn Banim (1798-1842)[24]
Dark RosaleenJames Clarence Mangan (1803-1849)[27]
Lament for the Princes
of Tyrone and TyrconnellJames Clarence Mangan (1803-1849)[31]
A Lamentation for the
Death of Sir Maurice
FitzgeraldJames Clarence Mangan (1803-1849)[41]
The Woman of Three CowsJames Clarence Mangan (1803-1849)[43]
Prince Alfrid's Itinerary
through IrelandJames Clarence Mangan (1803-1849)[47]
O'Hussey's Ode to The
MaguireJames Clarence Mangan (1803-1849)[50]
The Nameless OneJames Clarence Mangan (1803-1849)[55]
SiberiaJames Clarence Mangan (1803-1849)[57]
Hy-BrasailGerald Griffin (1803-1840)[59]
Mo Craoibhin CnoEdward Walsh (1805-1850)[61]
Mairgréad Ni ChealleadhEdward Walsh (1805-1850)[63]
From the Cold Sod
that's o'er youEdward Walsh (1805-1850)[65]
The Fairy NurseEdward Walsh (1805-1850)[67]
A cuisle geal mo chroidheMichael Doheny (1805-1863)[69]
Lament of the Irish
EmigrantLady Dufferin (1807-1867)[71]
The Welshmen of
TirawleySir Samuel Ferguson (1810-1886)[74]
Aideen's GraveSir Samuel Ferguson (1810-1886)[91]
Deirdre's Lament for
the Sons of UsnachSir Samuel Ferguson (1810-1886)[99]
The Fair Hills of IrelandSir Samuel Ferguson (1810-1886)[102]
Lament over the Ruins
of the Abbey of TimoleagueSir Samuel Ferguson (1810-1886)[104]
The Fairy Well of LagnanaySir Samuel Ferguson (1810-1886)[107]
On the Death of Thomas
DavisSir Samuel Ferguson (1810-1886)[111]
The County of MayoGeorge Fox[115]
The Wedding of the
ClansAubrey de Vere (1814)[117]
The Little Black RoseAubrey de Vere (1814)[119]
SongAubrey de Vere (1814)[120]
The Bard EthellAubrey de Vere (1814)[121]
Lament for the Death
of Eoghan Ruadh
O'NeillThomas Davis (1814-1845)[135]
Maire Bhan AstórThomas Davis (1814-1845)[138]
O! the MarriageThomas Davis (1814-1845)[140]
A Plea for LoveThomas Davis (1814-1845)[142]
RemembranceEmily Brontë (1818-1848)[143]
A Fragment from 'The
Prisoner: a Fragment'Emily Brontë (1818-1848)[145]
Last LinesEmily Brontë (1818-1848)[147]
The Memory of the DeadJohn Kells Ingram (? 1820)[148]
The Winding Banks of
ErneWilliam Allingham (1824-1889)[150]
The FairiesWilliam Allingham (1824-1889)[157]
The Abbot of Inisfālen.William Allingham (1824-1889)[160]
Twilight VoicesWilliam Allingham (1824-1889)[164]
'Four Ducks on a Pond'William Allingham (1824-1889)[166]
The Lover and BirdsWilliam Allingham (1824-1889)[167]
The CeltsThomas D'Arcy McGee (1825-1868)[169]
Salutation to the CeltsThomas D'Arcy McGee (1825-1868)[172]
The Gobban SaorThomas D'Arcy McGee (1825-1868)[174]
Patrick SheehanCharles J. Kickham (1825-1882)[176]
The Irish Peasant GirlCharles J. Kickham (1825-1882)[180]
To God and Ireland TrueEllen O'Leary (1831-1889)[182]
The BansheeJohn Todhunter (1836)[183]
AghadoeJohn Todhunter (1836)[186]
A Mad SongHester Sigerson[188]
Lady Margaret's SongEdward Dowden (1843)[188]
SongArthur O'Shaughnessy (1844-1881)[189]
Father O'FlynnAlfred Perceval Graves (1846)[191]
SongRosa Gilbert[192]
RequiescatOscar Wilde (1855)[193]
The Lament of Queen
MaevThomas William Rolleston (1857)[195]
The Dead at ClonmacnoisThomas William Rolleston (1857)[197]
The Spell-struckThomas William Rolleston (1857)[198]
'Were you on the
Mountain?'Douglas Hyde[199]
'My Grief on the Sea'Douglas Hyde[200]
My Love, O, she is my
LoveDouglas Hyde[201]
I shall not die for theeDouglas Hyde[204]
RiddlesDouglas Hyde[205]
Lough BrayRose Kavanagh (1861-1891)[206]
The Children of LirKatharine Tynan Hinkson[209]
St. Francis to the BirdsKatharine Tynan Hinkson[212]
Sheep and LambsKatharine Tynan Hinkson[215]
The Gardener SageKatharine Tynan Hinkson[216]
The Dark ManNora Hopper[218]
The Fairy FiddlerNora Hopper[219]
Our Thrones DecayA.E.[220]
ImmortalityA.E.[221]
The Great BreathA.E.[221]
Sung on a By-wayA.E.[222]
Dream LoveA.E.[223]
IllusionA.E.[223]
JanusA.E.[224]
Connla's WellA.E.[225]A
NamesJohn Eglinton[226]A
ThatCharles Weekes[227]A
ThinkCharles Weekes[227]A
Te Martyrum CandidatusLionel Johnson[228]A
The Church of a DreamLionel Johnson[229]A
Ways of WarLionel Johnson[230]A
The Red WindLionel Johnson[231]A
Celtic SpeechLionel Johnson[232]A
To MorfyddLionel Johnson[225]
Can Doov DeelishDora Sigerson[226]
ANONYMOUS
Shule Aroon[231]
The Shan Van Vocht[232]
The Wearing of the Green[235]
The Rakes of Mallow[237]
Johnny, I hardly knew ye[238]
Kitty of Coleraine[241]
Lament of Morian Shehone for Miss Mary Bourke[242]
The Geraldine's Daughter[246]
By Memory Inspired[247]
A Folk Verse[249]
Notes[250]

PREFACE

I HAVE not found it possible to revise this book as completely as I should have wished. I have corrected a bad mistake of a copyist, and added a few pages of new verses towards the end, and softened some phrases in the introduction which seemed a little petulant in form, and written in a few more to describe writers who have appeared during the last four years, and that is about all. I compiled it towards the end of a long indignant argument, carried on in the committee rooms of our literary societies, and in certain newspapers between a few writers of our new movement, who judged Irish literature by literary standards, and a number of people, a few of whom were writers, who judged it by its patriotism and by its political effect; and I hope my opinions may have value as part of an argument which may awaken again. The Young Ireland writers wrote to give the peasantry a literature in English in place of the literature they were losing with Gaelic, and these methods, which have shaped the literary thought of Ireland to our time, could not be the same as the methods of a movement which, so far as it is more than an instinctive expression of certain moods of the soul, endeavours to create a reading class among the more leisured classes, which will preoccupy itself with Ireland and the needs of Ireland. The peasants in eastern counties have their Young Ireland poetry, which is always good teaching and sometimes good poetry, and the peasants of the western counties have beautiful poems and stories in Gaelic, while our more leisured classes read little about any country, and nothing about Ireland. We cannot move these classes from an apathy, come from their separation from the land they live in, by writing about politics or about Gaelic, but we may move them by becoming men of letters and expressing primary emotions and truths in ways appropriate to this country. One carries on the traditions of Thomas Davis, towards whom our eyes must always turn, not less than the traditions of good literature, which are the morality of the man of letters, when one is content, like A.E. with fewer readers that one may follow a more hidden beauty; or when one endeavours, as I have endeavoured in this book, to separate what has literary value from what has only a patriotic and political value, no matter how sacred it has become to us.

The reader who would begin a serious study of modern Irish literature should do so with Mr Stopford Brooke's and Mr Rolleston's exhaustive anthology.

W.B.Y.

August 15, 1899