Revised Edition
W.H. WHITE AND CO. LTD.
RIVERSIDE PRESS, EDINBURGH
TO THE MEMBERS
OF
THE NATIONAL LITERARY SOCIETY OF DUBLIN
AND THE
IRISH LITERARY SOCIETY OF LONDON
CONTENTS
| PAGE | |||
| Preface | [xiii] | ||
| Modern Irish Poetry | [xvii] | ||
| Old Age | Oliver Goldsmith (1725-1774) | [1] | |
| The Village Preacher | Oliver Goldsmith (1725-1774) | [2] | |
| The Deserter's Meditation | John Philpot Curran (1750—1817) | [3] | |
| 'Thou canst not boast' | Richard Brinsley Sheridan (1751-1816) | [4] | |
| Kathleen O'More | James Nugent Reynolds ( -1802) | [5] | |
| The Groves of Blarney | Richard Alfred Milliken (1767-1815) | [6] | |
| The Light of other Days | Thomas Moore (1779-1852) | [10] | |
| 'At the Mid Hour of Night' | Thomas Moore (1779-1852) | [11] | |
| The Burial of Sir John Moore | Rev. Charles Wolfe (1791-1823) | [12] | |
| The Convict of Clonmel | Jeremiah Joseph Callanan (1795-1839) | [14] | |
| The Outlaw of Loch Lene | Jeremiah Joseph Callanan (1795-1839) | [16] | |
| Dirge of O'Sullivan Bear | Jeremiah Joseph Callanan (1795-1839) | [17] | |
| Love Song | George Darley (1795-1846) | [20] | |
| The Whistlin' Thief | Samuel Lover (1797-1868) | [22] | |
| Soggarth Aroon | John Banim (1798-1842) | [24] | |
| Dark Rosaleen | James Clarence Mangan (1803-1849) | [27] | |
| Lament for the Princes | |||
| of Tyrone and Tyrconnell | James Clarence Mangan (1803-1849) | [31] | |
| A Lamentation for the | |||
| Death of Sir Maurice | |||
| Fitzgerald | James Clarence Mangan (1803-1849) | [41] | |
| The Woman of Three Cows | James Clarence Mangan (1803-1849) | [43] | |
| Prince Alfrid's Itinerary | |||
| through Ireland | James Clarence Mangan (1803-1849) | [47] | |
| O'Hussey's Ode to The | |||
| Maguire | James Clarence Mangan (1803-1849) | [50] | |
| The Nameless One | James Clarence Mangan (1803-1849) | [55] | |
| Siberia | James Clarence Mangan (1803-1849) | [57] | |
| Hy-Brasail | Gerald Griffin (1803-1840) | [59] | |
| Mo Craoibhin Cno | Edward Walsh (1805-1850) | [61] | |
| Mairgréad Ni Chealleadh | Edward Walsh (1805-1850) | [63] | |
| From the Cold Sod | |||
| that's o'er you | Edward Walsh (1805-1850) | [65] | |
| The Fairy Nurse | Edward Walsh (1805-1850) | [67] | |
| A cuisle geal mo chroidhe | Michael Doheny (1805-1863) | [69] | |
| Lament of the Irish | |||
| Emigrant | Lady Dufferin (1807-1867) | [71] | |
| The Welshmen of | |||
| Tirawley | Sir Samuel Ferguson (1810-1886) | [74] | |
| Aideen's Grave | Sir Samuel Ferguson (1810-1886) | [91] | |
| Deirdre's Lament for | |||
| the Sons of Usnach | Sir Samuel Ferguson (1810-1886) | [99] | |
| The Fair Hills of Ireland | Sir Samuel Ferguson (1810-1886) | [102] | |
| Lament over the Ruins | |||
| of the Abbey of Timoleague | Sir Samuel Ferguson (1810-1886) | [104] | |
| The Fairy Well of Lagnanay | Sir Samuel Ferguson (1810-1886) | [107] | |
| On the Death of Thomas | |||
| Davis | Sir Samuel Ferguson (1810-1886) | [111] | |
| The County of Mayo | George Fox | [115] | |
| The Wedding of the | |||
| Clans | Aubrey de Vere (1814) | [117] | |
| The Little Black Rose | Aubrey de Vere (1814) | [119] | |
| Song | Aubrey de Vere (1814) | [120] | |
| The Bard Ethell | Aubrey de Vere (1814) | [121] | |
| Lament for the Death | |||
| of Eoghan Ruadh | |||
| O'Neill | Thomas Davis (1814-1845) | [135] | |
| Maire Bhan Astór | Thomas Davis (1814-1845) | [138] | |
| O! the Marriage | Thomas Davis (1814-1845) | [140] | |
| A Plea for Love | Thomas Davis (1814-1845) | [142] | |
| Remembrance | Emily Brontë (1818-1848) | [143] | |
| A Fragment from 'The | |||
| Prisoner: a Fragment' | Emily Brontë (1818-1848) | [145] | |
| Last Lines | Emily Brontë (1818-1848) | [147] | |
| The Memory of the Dead | John Kells Ingram (? 1820) | [148] | |
| The Winding Banks of | |||
| Erne | William Allingham (1824-1889) | [150] | |
| The Fairies | William Allingham (1824-1889) | [157] | |
| The Abbot of Inisfālen. | William Allingham (1824-1889) | [160] | |
| Twilight Voices | William Allingham (1824-1889) | [164] | |
| 'Four Ducks on a Pond' | William Allingham (1824-1889) | [166] | |
| The Lover and Birds | William Allingham (1824-1889) | [167] | |
| The Celts | Thomas D'Arcy McGee (1825-1868) | [169] | |
| Salutation to the Celts | Thomas D'Arcy McGee (1825-1868) | [172] | |
| The Gobban Saor | Thomas D'Arcy McGee (1825-1868) | [174] | |
| Patrick Sheehan | Charles J. Kickham (1825-1882) | [176] | |
| The Irish Peasant Girl | Charles J. Kickham (1825-1882) | [180] | |
| To God and Ireland True | Ellen O'Leary (1831-1889) | [182] | |
| The Banshee | John Todhunter (1836) | [183] | |
| Aghadoe | John Todhunter (1836) | [186] | |
| A Mad Song | Hester Sigerson | [188] | |
| Lady Margaret's Song | Edward Dowden (1843) | [188] | |
| Song | Arthur O'Shaughnessy (1844-1881) | [189] | |
| Father O'Flynn | Alfred Perceval Graves (1846) | [191] | |
| Song | Rosa Gilbert | [192] | |
| Requiescat | Oscar Wilde (1855) | [193] | |
| The Lament of Queen | |||
| Maev | Thomas William Rolleston (1857) | [195] | |
| The Dead at Clonmacnois | Thomas William Rolleston (1857) | [197] | |
| The Spell-struck | Thomas William Rolleston (1857) | [198] | |
| 'Were you on the | |||
| Mountain?' | Douglas Hyde | [199] | |
| 'My Grief on the Sea' | Douglas Hyde | [200] | |
| My Love, O, she is my | |||
| Love | Douglas Hyde | [201] | |
| I shall not die for thee | Douglas Hyde | [204] | |
| Riddles | Douglas Hyde | [205] | |
| Lough Bray | Rose Kavanagh (1861-1891) | [206] | |
| The Children of Lir | Katharine Tynan Hinkson | [209] | |
| St. Francis to the Birds | Katharine Tynan Hinkson | [212] | |
| Sheep and Lambs | Katharine Tynan Hinkson | [215] | |
| The Gardener Sage | Katharine Tynan Hinkson | [216] | |
| The Dark Man | Nora Hopper | [218] | |
| The Fairy Fiddler | Nora Hopper | [219] | |
| Our Thrones Decay | A.E. | [220] | |
| Immortality | A.E. | [221] | |
| The Great Breath | A.E. | [221] | |
| Sung on a By-way | A.E. | [222] | |
| Dream Love | A.E. | [223] | |
| Illusion | A.E. | [223] | |
| Janus | A.E. | [224] | |
| Connla's Well | A.E. | [225]A | |
| Names | John Eglinton | [226]A | |
| That | Charles Weekes | [227]A | |
| Think | Charles Weekes | [227]A | |
| Te Martyrum Candidatus | Lionel Johnson | [228]A | |
| The Church of a Dream | Lionel Johnson | [229]A | |
| Ways of War | Lionel Johnson | [230]A | |
| The Red Wind | Lionel Johnson | [231]A | |
| Celtic Speech | Lionel Johnson | [232]A | |
| To Morfydd | Lionel Johnson | [225] | |
| Can Doov Deelish | Dora Sigerson | [226] | |
| ANONYMOUS | |||
| Shule Aroon | [231] | ||
| The Shan Van Vocht | [232] | ||
| The Wearing of the Green | [235] | ||
| The Rakes of Mallow | [237] | ||
| Johnny, I hardly knew ye | [238] | ||
| Kitty of Coleraine | [241] | ||
| Lament of Morian Shehone for Miss Mary Bourke | [242] | ||
| The Geraldine's Daughter | [246] | ||
| By Memory Inspired | [247] | ||
| A Folk Verse | [249] | ||
| Notes | [250] |
PREFACE
I HAVE not found it possible to revise this book as completely as I should have wished. I have corrected a bad mistake of a copyist, and added a few pages of new verses towards the end, and softened some phrases in the introduction which seemed a little petulant in form, and written in a few more to describe writers who have appeared during the last four years, and that is about all. I compiled it towards the end of a long indignant argument, carried on in the committee rooms of our literary societies, and in certain newspapers between a few writers of our new movement, who judged Irish literature by literary standards, and a number of people, a few of whom were writers, who judged it by its patriotism and by its political effect; and I hope my opinions may have value as part of an argument which may awaken again. The Young Ireland writers wrote to give the peasantry a literature in English in place of the literature they were losing with Gaelic, and these methods, which have shaped the literary thought of Ireland to our time, could not be the same as the methods of a movement which, so far as it is more than an instinctive expression of certain moods of the soul, endeavours to create a reading class among the more leisured classes, which will preoccupy itself with Ireland and the needs of Ireland. The peasants in eastern counties have their Young Ireland poetry, which is always good teaching and sometimes good poetry, and the peasants of the western counties have beautiful poems and stories in Gaelic, while our more leisured classes read little about any country, and nothing about Ireland. We cannot move these classes from an apathy, come from their separation from the land they live in, by writing about politics or about Gaelic, but we may move them by becoming men of letters and expressing primary emotions and truths in ways appropriate to this country. One carries on the traditions of Thomas Davis, towards whom our eyes must always turn, not less than the traditions of good literature, which are the morality of the man of letters, when one is content, like A.E. with fewer readers that one may follow a more hidden beauty; or when one endeavours, as I have endeavoured in this book, to separate what has literary value from what has only a patriotic and political value, no matter how sacred it has become to us.
The reader who would begin a serious study of modern Irish literature should do so with Mr Stopford Brooke's and Mr Rolleston's exhaustive anthology.
W.B.Y.
August 15, 1899