CUMBERLAND, George.—An Essay on the utility of collecting the best works of the ancient engravers of the Italian school; accompanied by A Critical Catalogue with interesting anecdotes of the engravers, of a chronological series of rare and valuable prints, from the earliest practice of the art in Italy to the year 1549, now deposited in the British Museum and Royal Academy, in London, by George Cumberland.—London. Printed by W. Nicol, . . . 1827. 4to, half red levant morocco, gilt top, uncut edges, by Matthews.

Portrait of the author and double plate of engraver's marks.

CUMBERLAND, George.—Outlines from the Ancients. [with an Introduction by G. C. umberland] [London 1829] Folio, half blue morocco, gilt back.

Sixty plates, proofs on India paper, engraved by F. C. Lewis.

CUMBERLAND, Richard.—The Mysterious Husband. A tragedy in five acts. As it is acted at the Theatre-Royal, Covent-Garden. By Richard Cumberland, Esq. London: printed for C. Dilly, . . . and J. Walter, . . . m. dcc. lxxxiii. 8vo, red morocco, by The Club Bindery.

First edition.

CUMBERLAND, Richard.—The Posthumous Dramatic Works of the late Richard Cumberland, Esq . . . London: printed for G. and W. Nicol, . . . by W. Bulmer and Co . . . 1813. 8vo, two volumes, half calf, gilt back, uncut edges.

Edited by T. W. Jansen.

CUNDALL, Joseph, editor.—On Bookbindings ancient and modern edited by Joseph Cundall . . . [woodcut] London: George Bell and Sons . . . 1881. 4to, half blue morocco, gilt top, uncut edges.

Twenty-eight plates.