DAVIDSON, John.—Plays by John Davidson being: an unhistorical pastoral: a romantic farce: Bruce a chronicle play: Smith a tragic farce: and Scaramouch in Naxos a pantomime [vignette] London: Elkin Mathews and John Lane . . . 1894. 4to, cloth, uncut edges.
Frontispiece.
DAVIES, C. M.—History of Holland, from the beginning of the Tenth to the end of the Eighteenth Century. By C. M. Davies. London: John W. Parker . . . M.DCCC.XLI. 8vo, three volumes, red levant morocco, gilt back, gilt over uncut edges, by Holloway.
Original issue with the genuine title-pages.
Illustrated by the insertion of one hundred and fifty-eight portraits, etc., brilliant copper-plate engravings, by Crispin de Pass, Wierix, Houbraken (some unlettered proofs), Sadeler, Ficquet, Savart, Peter de Jode, Marcenay de Ghuy (unlettered proofs), Delaram, Raphael Morghen, Moncornet, etc.
DAVIS, William.—A Journey [and Second Journey] Round the Library of a Bibliomaniac: or, cento of notes and reminiscences concerning rare, curious, and valuable Books. By William Davis . . . London: Printed for W. Davis . . . 1821-25. Crown 8vo, two volumes in one, half green morocco, gilt back, gilt top, uncut edges, by Rivière.
The two series complete.
DAVY, Sir Humphrey.—Salmonia: or Days of Fly Fishing. In a series of Conversations. With some account of the Habits of Fishes belonging to the genus Salmo. London: John Murray . . . MDCCCXXIX. Small 8vo, green levant morocco, gilt back, side borders, gilt top, uncut edges, by Zaehnsdorf.
First edition: illustrated by the insertion of twenty-five portraits, forty-six views of lakes, etc., seventeen vignettes of fish, for the most part on India paper, and some India proof woodcuts laid on the beginning and end of chapters, in addition to the six plates and numerous woodcuts of fish belonging to the book.
DAY, Thomas.—The History of Sandford and Merton, a work Intended for the Use of Children . . . London; Printed for J. Stockdale, . . . MDCCLXXXIII.-VI-IX. Small 8vo, three volumes, half green levant morocco, gilt back, gilt top, by Roger de Coverly.