IRVING, Washington.—The Sketch Book of Geoffrey Crayon, Gentn . . . Author's revised edition. With original designs by F. O. C. Darley, engraved by Childs, Herrick, etc. New York: G. P. Putnam & Company . . . 1854. Small 4to, green morocco, gilt back and side panels, gilt top, uncut edges, by Matthews.
Twenty-two illustrations, the vignettes on India paper.
The author's manuscript revisions, forty-two pages in the handwriting of Irving, are inserted in this copy.
IRVING, Washington.—Sketch Book of Geoffrey Crayon Gent. Artist's Edition. Illustrated with one hundred and twenty engravings on wood, from original designs . . . New York: G. P. Putnam: Hurd & Houghton . . . MDCCCLXV. 4to, green morocco, gilt back and side panels, gilt edges, by Matthews.
Steel portrait and one hundred and twenty-three woodcut illustrations. The original drawings for the cover, title-page, and ten other illustrations are inserted in this copy, as well as six by Shattuck, Hill, etc., apparently never engraved.
IRVING, Washington.—Sketch Book of Geoffrey Crayon Gent. Artist's Edition. Illustrated with one hundred and twenty engravings on wood, from original designs . . . New York: G. P. Putnam: Hurd and Houghton . . . M.D.CCC.LX.V. 4to, red levant morocco, rich gilt back and broad side borders, gilt edges, by Matthews.
Portrait of Irving on steel, in brown, from the painting by Stuart Newton, 1820. Further illustrated by the insertion of forty-five plates, including an original drawing of the Boar's Head Tavern, the cancelled title-page, the plates by Leslie, Allston, and Westall, in two and three states, engraver's etching, proofs before letters and open-letter proofs, all on India paper, mezzotint portrait of Shakespeare by Turner after Jansen, many proof portraits on India paper, etc.
IRVING, Washington.—Sketch Book of Geoffrey Crayon Gent. (Washington Irving.) [vignette] Edition de luxe. . . . Philadelphia: J. B. Lippincott & Co. 1882. Imperial 8vo, cloth, uncut edges.
Portrait after Stuart Newton.
Two portraits by Hall after Stuart Newton and John de Mare after Jarvis, and one hundred and fifty vignettes on India paper, engraved on wood by Richardson after Parsons, Hoppin, Darley, and others.