RADCLIFFE, Ann Ward.—The Italian; or, The Confessional of the Black Penitents. A romance. By Ann Radcliffe, . . . [vignette] Chiswick: printed by C. and C. Whittingham; . . . 1826. 16mo, two volumes, half green morocco, gilt back, gilt top, uncut edges.
RAIMBACH, Michael Thomson Scott, editor.—Memoirs and Recollections of the late Abraham Raimbach, Esq. Engraver, . . . including a Memoir of Sir David Wilkie, R. A. edited by M. T. S. Raimbach, M. A . . . London: Frederick Shoberl, Junior, . . . 1843. Square 8vo, original cloth, uncut edges.
Privately printed, with medallion portrait of Abraham Raimbach.
RAIMBACH, Michael Thomson Scott, editor.—Memoirs and Recollections of the late Abraham Raimbach, Esq. Engraver . . . including a Memoir of Sir David Wilkie, R. A. Edited by M. T. S. Raimbach, M. A. . . . London: Frederick Shoberl, Junior . . . 1843. Square 8vo, red levant morocco, gilt back, gilt edges, by Bedford.
A few copies printed, not published. The present copy contains, inserted, ninety-eight selected plates, for the most part proofs, including fine examples of Raimbach's engraving and portraits of his contemporaries.
RALPH, James.—The Fall of the Earl of Essex. As it is Perform'd at the Theatre in Goodman's-Fields. Alter'd from the Unhappy Favourite of Mr. Banks. . . . London: Printed for W. Meadows, . . . and S. Billingsley, . . . 1731. . . . 8vo, morocco, by The Club Bindery.
First edition.
RAMBLER, The.—See British Classics and British Essayists.
RAMSAY, Allan.—Original Manuscripts of Poems, Verses, Letters, Poetical Epistles, etc., by Allan Ramsay. 4to, light green levant morocco, gilt back, side borders in the manner of Dérome, doubled with maroon morocco, covered with a scroll design, centre ornament of gilt and green and red mosaic, maroon silk guards, borders, gilt edges, in a rose silk chemise and maroon levant morocco case, by Zaehnsdorf.
This volume consists of a title in red and black on vellum, a leaf of Contents, specifying fourteen poems, and twenty-eight leaves (forty-nine full pages) of manuscript, dating from 1738 to 1746, in addition to a mezzotint portrait of Ramsay by White, and a portrait of George Whitefield, the subject of one of the poems.