[25] This couplet was introduced by the Authors by way of bravado, in answer to one who alleged that the English language contained no rhyme to chimney.
[26] Apollo. A gigantic wooden figure of this deity was erected on the roof. The writer (horrescit referens!) is old enough to recollect the time when it was first placed there. Old Bishop, then one of the masters of Merchant Tailors' School, wrote an epigram upon the occasion, which, referring to the aforesaid figure, concluded thus:
'Above he fills up Shakespeare's place,
And Shakespeare fills up his below'—
Very antithetical: but quære as to the meaning? The writer, like Pluto, 'long puzzled his brain' to find it out, till he was immersed 'in a lower deep' by hearing Madame de Staël say, at the table of the late Lord Dillon, 'Buonaparte is not a man, but a system.' Inquiry was made in the course of the evening of Sir James Mackintosh as to what the lady meant. He answered, 'Mass! I cannot tell.' Madame de Staël repeats this apophthegm in her work on Germany. It is probably understood there.
[27] O. P. This personage, who is alleged to have growled like a bull-dog, requires rather a lengthened note, for the edification of the rising generation. The 'horns, rattles, drums,' with which he is accompanied, are no inventions of the poet. The new Covent Garden Theatre opened on the 18th Sept., 1809, when a cry of 'Old Prices' (afterwards diminished to O. P.) burst out from every part of the house. This continued and increased in violence till the 23rd, when rattles, drums, whistles, and cat-calls, having completely drowned the voices of the actors, Mr. Kemble, the stage-manager, came forward and said, that a committee of gentlemen had undertaken to examine the finances of the concern, and that until they were prepared with their report the theatre would continue closed. 'Name them!' was shouted from all sides. The names were declared, viz. Sir Charles Price, the Solicitor-General, the Recorder of London, the Governor of the Bank, and Mr. Angersteen. 'All shareholders!' bawled a wag from the gallery. In a few days the theatre re-opened: the public paid no attention to the report of the referees, and the tumult was renewed for several weeks with even increased violence. The proprietors now sent in hired bruisers, to mill the refractory into subjection. This irritated most of their former friends, and, amongst the rest, the annotator, who accordingly wrote the song of 'Heigh-ho, says Kemble,' which was caught up by the ballad-singers, and sung under Mr. Kemble's house-windows in Great Russell Street. A dinner was given at the Crown and Anchor Tavern in the Strand, to celebrate the victory obtained by W. Clifford in his action against Brandon the box-keeper, for assaulting him for wearing the letters O. P. in his hat. At this dinner Mr. Kemble attended, and matters were compromised by allowing the advanced price (seven shillings) to the boxes. The writer remembers a former riot of a similar sort at the same theatre (in the year 1792), when the price to the boxes was raised from five shillings to six. That tumult, however, only lasted three nights.
[28] 'From the knobb'd bludgeon to the taper switch.' This image is not the creation of the poets: it sprang from reality. The Authors happened to be at the Royal Circus when 'God save the King' was called for, accompanied by a cry of 'Stand up!' and 'Hats off!' An inebriated naval lieutenant perceiving a gentleman in an adjoining box slow to obey the call, struck his hat off with his stick, exclaiming, 'Take off your hat, sir!' The other thus assaulted proved to be, unluckily for the lieutenant, Lord Camelford, the celebrated bruiser and duellist. A set-to in the lobby was the consequence, where his lordship quickly proved victorious. 'The devil is not so black as he is painted,' said one of the Authors to the other; 'let us call upon Lord Camelford, and tell him that we were witnesses of his being first assaulted.' The visit was paid on the ensuing morning at Lord Camelford's lodging, in Bond Street. Over the fire-place in the drawing-room were ornaments strongly expressive of the pugnacity of the peer. A long thick bludgeon lay horizontally supported by two brass hooks. Above this was placed parallel one of lesser dimensions, until a pyramid of weapons gradually arose, tapering to a horsewhip:
'Thus all below was strength, and all above was grace.'
Lord Camelford received his visitants with great civility, and thanked them warmly for the call; adding, that their evidence would be material, it being his intention to indict the lieutenant for an assault. 'All I can say in return is this,' exclaimed the peer with great cordiality, 'if ever I see you engaged in a row, upon my soul, I'll stand by you.' The Authors expressed themselves thankful for so potent an ally, and departed. In about a fortnight afterwards Lord Camelford was shot in a duel with Mr. Best.
[29] Veeshnoo. The late Mr. Whitbread.