'"The Theatre," by the Rev. G. Crabbe, we rather think, is the best piece in the collection. It is an exquisite and most masterly imitation, not only of the peculiar style, but of the taste, temper, and manner of description of that most original author; and can hardly be said to be in any respect a caricature of that style or manner—except in the excessive profusion of puns and verbal jingles—which, though undoubtedly to be ranked among his characteristics, are never so thick-sown in his original works as in this admirable imitation. It does not aim, of course, at any shadow of his pathos or moral sublimity, but seems to us to be a singularly faithful copy of his passages of mere description.'—Edinburgh Review.
TO THE MANAGING COMMITTEE OF THE NEW DRURY-LANE THEATRE.[54]
Gentlemen,
Happening to be wool-gathering at the foot of Mount Parnassus, I was suddenly seized with a violent travestie in the head. The first symptoms I felt were several triple rhymes floating about my brain, accompanied by a singing in my throat, which quickly communicated itself to the ears of everybody about me, and made me a burthen to my friends and a torment to Doctor Apollo; three of whose favourite servants—that is to say, Macbeth, his butcher; Mrs. Haller, his cook; and George Barnwell, his book-keeper—I waylaid in one of my fits of insanity, and mauled after a very frightful fashion. In this woful crisis, I accidentally heard of your invaluable New Patent Hissing Pit, which cures every disorder incident to Grub Street. I send you enclosed a more detailed specimen of my ease: if you could mould it into the shape of an address, to be said or sung on the first night of your performance, I have no doubt that I should feel the immediate effects of your invaluable New Patent Hissing Pit, of which they tell me one hiss is a dose.
I am, &c.,
Momus Medlar.
Case No. I.
MACBETH.
[Enter Macbeth, in a red nightcap. Page following with a torch.]