A Day with Browning - Unknown

And after April, when May follows,
And the whitethroat builds, and all the swallows!
Hark! where my blossomed pear-tree in the hedge
Leans to the field and scatters on the clover
Blossoms and dewdrops—at the bent-spray's edge—
That's the wise thrush; he sings each song twice over,
Lest you should think he never could recapture
The first fine careless rapture!
And though the fields look rough with hoary dew,
All will be gay when noontide wakes anew
The buttercups, the little children's dower,
—Far brighter than this gaudy melon-flower!

But there had always been a frankly cosmopolitan spirit in Browning,—no touch of parochialism or insularity. In the magnificent gallery of portrait studies, no two alike, which his poems present to us, the nationalities are legion. Yet Italian scenes predominate; for Browning could gauge, with the unerring instinct of genius, all the subtleties of the Italian temperament. So we come, at every turn, across some ardent vision of the South,—here, Waring sailing out of Trieste under the furled lateen-sail; and there, Fra Lippo Lippi tracking "lutestrings, laughs, and whifts of song" down the darkling streets of Florence. The "Patriot," riding into Brescia, "roses, roses all the way," and the Duke of Ferrara,—that "typical representative of a whole phase of civilisation," discussing My Last Duchess and her foolishness.

That's my last Duchess painted on the wall,
Looking as if she were alive; I call
That piece a wonder, now: Frà Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
"Frà Pandolf" by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Frà Pandolf chanced to say "Her mantle laps
Over my Lady's wrist too much," or "Paint
Must never hope to reproduce the faint
Half-flush that dies along her throat;" such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart ... how shall I say? ... too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favour at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace—all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men,—good; but thanked
Somehow ... I know not how ... as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. (My Last Duchess.)

Painting by W. J. Neatby. MY LAST DUCHESS.

After a light and early breakfast—the poet, when abroad, lived almost entirely on milk, fruit, etc., abjuring animal food—Browning would follow his invariable custom, a stroll along the Riva to the public gardens. He never failed to leave the house at the same hour of the day: he was a man of singularly methodical habits in many ways. "Good sense," it has been said, "was his foible, if not his habit": and an orderly method of life was one of the strongest proofs of this fact: another evidence lay in his care to avoid being labelled. The disorderly locks and careless appearance of the typical poet were quite alien to this well-groomed, cleanly-looking Englishman, with his "sweet, grave face," silvery hair, and smooth, healthy skin. Singularly wholesome in body as well as in mind, until past seventy he could take the longest walks without fatigue; the splendid eyesight of his clear grey eyes remained untarnished to the last. These keen grey eyes of his never failed to notice anything worth seeing in his walks: an extraordinary minuteness of observation is perceptible in all his poems dealing with out-door life,—little touches of detail such as few men are masters of: