| Of a' the airts the wind can blaw, |
| I dearly like the west, |
| For there the bonie lassie lives, |
| The lassie I lo'e best: |
| There's wild-woods grow, and rivers row, |
| And mony a hill between: |
| But day and night my fancy's flight |
| Is ever wi' my Jean. |
| |
| I see her in the dewy flowers, |
| I see her sweet and fair, |
| I hear her in the tunefu' birds, |
| I hear her charm the air: |
| There's not a bonie flower that springs, |
| By fountain, shaw, or green; |
| There's not a bonie bird that sings, |
| But minds me o' my Jean. |
She comes out into the twilight to meet him, and his emotion shapes itself, on the instant, into song.
| This is no my ain lassie, |
| Fair tho' the lassie be; |
| Weel ken I my ain lassie, |
| Kind love is in her e'e. |
| |
| I see a form, I see a face, |
| Ye weel may wi' the fairest place; |
| It wants, to me, the witching grace, |
| The kind love that's in her e'e. |
| |
| She's bonnie, blooming, straight, and tall, |
| And lang has had my heart in thrall; |
| And aye it charms my very saul, |
| The kind love that's in her e'e. |
| |
| A thief sae pawkie is my Jean, |
| To steal a blink, by a' unseen; |
| But gleg as light are lovers' een, |
| When kind love is in the e'e. |
| |
| It may escape the courtly sparks, |
| It may escape the learnèd clerks; |
| But weel the watching lover marks |
| The kind love that's in her e'e. |
The servants, sitting at the same table, according to Scottish farm custom, share his simple evening meal: and subsequently, before the children's bedtime, the master speaks with seriousness to his household, and reads aloud some passages from the Holy Book.
| Their master's and their mistress's command, |
| The younkers a' are warned to obey; |
| And mind their labours wi' an eydent hand, |
| An' ne'er, tho' out o' sight, to jauk or play; |
| "And O! be sure to fear the Lord alway, |
| "And mind your duty, duly, morn and night; |
| "Lest in temptation's path ye gang astray, |
| "Implore His counsel and assisting might: |
| "They never sought in vain that sought the Lord aright." |
| ..... |
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| Then homeward all take off their several way, |
| The youngling cottagers retire to rest: |
| The parent-pair their secret homage pay, |
| And proffer up to Heaven the warm request, |
| That He who stills the raven's clam'rous nest, |
| And decks the lily fair in flow'ry pride, |
| Would in the way His wisdom sees the best, |
| For them and for their little ones provide; |
| But chiefly, in their hearts with grace divine preside. |
| (The Cotter's Saturday Night.) |
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Click to [ENLARGE]
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Painting by Dudley Hardy. |
JOHN ANDERSON, MY JO. |
| John Anderson, my jo, John, |
| We clamb the hill thegither; |
| And monie a canty day, John, |
| We've had wi' ane anither: |
| Now we maun totter down, John, |
| But hand in hand we'll go, |
| And sleep thegither at the foot, |
| John Anderson, my jo. |
Now, in the quiet house, the man at last is free to take up his pen. He is writing hard, daily, or rather nightly: every week sees a parcel of manuscript despatched to his publisher. The thoughts which have crowded tumultuously upon him all day long, may at last be set down and conserved: for poetry, as Wordsworth says, "is emotion remembered in tranquillity." The grave and swarthy face bends above the paper in the candlelight—varying expressions chase each other across the mobile mouth and eyes. Sometimes the theme is one of poignant pathos.