A flower of purpose sprung to bow

To heedless tempests and the rage

Of an incensèd stormy age:

And yet as balm-trees gently spend

Their tears for those that do them rend,

Thou didst nor murmur nor revile,

But drank’st thy wormwood with a smile.’

As a divine Vaughan may be inferior, but as a poet he is certainly superior, to Herbert, who never wrote anything so purely poetical as The Retreat. Still Vaughan would probably never have written as he has, if Herbert, whom he gratefully owns as his master, had not shown him the way.

[P. 154], No. cxxxii.—This poem, so little known, though the work of one so well known, opens very solemnly and grandly, but does not maintain itself altogether at the same height to the end. Even as I have given it, the two concluding strophes are inferior to the others; and this declension would be felt by the reader still more strongly, if I had not at once lightened the poem, and brought it within reasonable compass, by the omission of no less than six strophes which immediately precede these. It bears date January 14, 1682/3; and was written at season of great weakness and intense bodily suffering (see his Life edited by Sylvester, Part III. p. 192); but the actual life of the great non-conformist divine was prolonged for some eight or nine years more.

[P. 163], No. cxxxviii.—I have gladly found room in this volume, as often as I fairly could, for poems written by those who, strictly speaking, were not poets; or who, if poets, have only rarely penned their inspiration, and, either wanting the accomplishment of verse, or not caring to use it, have preferred to embody thoughts which might have claimed a metrical garb in other than metrical forms. Poems from such authors must always have a special interest for us. To the former of these classes the author of these manly and high-hearted lines belongs, and another whose epitaph on his companions left behind in the Arctic regions is earlier given (see No. cxix.). Bacon (for who can deny to him a poet’s gifts?) and, before all others as a poet in prose, Jeremy Taylor, belong to the second. It would be more difficult to affirm of Bishop Berkeley (see No. cxxxvii.), and of Sir Thomas Browne (see No. cxxxi.), to which of these classes they ought to be assigned.