From dark oblivion's blow,
Some record of his lot:
But, ah! I do not know
Who—where—when—why—or what.
MORAL
In this brief pedigree
A moral we should find—
But what it ought to be
Has quite escaped my mind!
Anonymous.
ON THE OXFORD CARRIER
Here lieth one, who did most truly prove
That he could never die while he could move;
So hung his destiny never to rot
While he might still jog on and keep his trot;
Made of sphere metal, never to decay
Until his revolution was at stay.
Time numbers motion, yet (without a crime
'Gainst old truth) motion number'd out his time,
And like an engine moved with wheel and weight,
His principles being ceased, he ended straight.
Rest, that gives all men life, gave him his death,
And too much breathing put him out of breath;
Nor were it contradiction to affirm,
Too long vacation hasten'd on his term.
Merely to drive the time away he sicken'd,
Fainted, and died, nor would with ale be quicken'd;
"Nay," quoth he, on his swooning bed outstretch'd,
"If I mayn't carry, sure I'll ne'er be fetch'd,
But vow, though the cross doctors all stood hearers,
For one carrier put down to make six bearers."
Ease was his chief disease; and to judge right,
He died for heaviness that his cart went light:
His leisure told him that his time was come,
And lack of load made his life burdensome.
That even to his last breath (there be that say't),
As he were press'd to death, he cried, "More weight;"
But, had his doings lasted as they were,
He had been an immortal carrier.
Obedient to the moon he spent his date
In course reciprocal, and had his fate
Link'd to the mutual flowing of the seas,
Yet (strange to think) his wane was his increase:
His letters are deliver'd all, and gone,
Only remains the superscription.
John Milton.
NEPHELIDIA
From the depth of the dreamy decline of the dawn
through a notable nimbus of nebulous noonshine,
Pallid and pink as the palm of the flag-flower
that flickers with fear of the flies as they float,
Are they looks of our lovers that lustrously lean from a marvel
of mystic miraculous moonshine,
These that we feel in the blood of our blushes that thicken and
threaten with sobs from the throat?
Thicken and thrill as a theatre thronged at appeal of an actor's
appalled agitation,
Fainter with fear of the fires of the future than pale with the
promise of pride in the past;
Flushed with the famishing fulness of fever that reddens with
radiance of rathe recreation,
Gaunt as the ghastliest of glimpses that gleam through the gloom
of the gloaming when ghosts go aghast?
Nay, for the nick of the tick of the time is a tremulous touch
on the temples of terror,
Strained as the sinews yet strenuous with strife of the dead who
is dumb as the dust-heaps of death:
Surely no soul is it, sweet as the spasm of erotic emotional
exquisite error,
Bathed in the balms of beatified bliss, beatific itself by
beatitude's breath.
Surely no spirit or sense of a soul that was soft to the spirit
and soul of our senses
Sweetens the stress of suspiring suspicion that sobs in the
semblance and sound of a sigh;
Only this oracle opens Olympian, in mystical moods and
triangular tenses—
Life is the lust of a lamp for the light that is dark till the
dawn of the day when we die.
Mild is the mirk and monotonous music of memory melodiously mute
as it may be,
While the hope in the heart of a hero is bruised by the breach of
men's rapiers resigned to the rod;
Made meek as a mother whose bosom—beats bound with the bliss—
bringing bulk of a balm—breathing baby,
As they grope through the grave-yards of creeds, under skies
growing green'at a groan for the grimness of God.
Blank is the book of his bounty beholden of old and its binding
is blacker than bluer:
Out of blue into black is the scheme of the skies, and their
dews are the wine of the bloodshed of things;
Till the darkling desire of delight shall be free as a fawn that
is freed from the fangs that pursue her,
Till the heart-beats of hell shall be hushed by a hymn from the
hunt that has harried the kernel of kings.
A. C. Swinburne, in "The Heptalogia."