643. THE CAPTURE OF CARTHAGENA.
Ascribed to Rinaldo Mantovano (Roman: early 16th century).
This and the companion picture, 644, formerly ascribed to Giulio Romano, are now ascribed to Rinaldo of Mantua, one of the scholars whom Giulio formed when at work in that city. Rinaldo is mentioned by Vasari as the ablest painter that Mantua ever produced, and as having been "prematurely removed from the world by death."
In the upper compartment is represented the capture of New Carthage by the Roman general, Publius Cornelius Scipio, B.C. 210. He distinguished himself on that occasion by the generosity with which he treated the Spanish hostages kept there by the Carthaginians. This is the subject of the lower compartment. Among the hostages was a girl—hardly represented here as in the story, "so beautiful that all eyes turned upon her"—whom Scipio protected from indignity and formally betrothed to her own lover, who is here advancing to touch the great man's hand, and when they brought thank-offerings to Scipio, he ordered them, as we see here, to be removed again: "accept them from me," he said, "as the girl's dowry" (Livy, xxvi. ch. 50).
644. THE RAPE OF THE SABINES.
Ascribed to Rinaldo Mantovano (Roman: early 16th century).
Romulus, the founder of Rome—so the story goes—had collected a motley crew of men about him, and demanded women from the neighbouring states wherewith to people his kingdom. And when they refused, he determined to take them by stratagem. He appointed a day for a splendid sacrifice, with public games and shows, and the neighbouring Sabines flocked with their wives and daughters to see the sight. He himself presided, sitting among his nobles, clothed in purple. As a signal for the assault, he was to rise, gather up his robe, and fold it about him. Many of the people wore swords that day, and kept their eyes upon him, watching for the signal, which was no sooner given than they drew them, and, rushing on with a shout, seized the daughters of the Sabines, but quietly suffered the men to escape. This is the subject of the upper compartment of this picture. But afterwards the Sabines fought the Romans in order to recover their daughters. The battle was long and fierce, until the Sabine women threw themselves between the combatants and induced them to ratify the accomplished union with terms of friendship and alliance. This is the subject of the lower compartment—the intervention of the Sabine women in the right-hand part, the reconciliation in the left.
645. VIRGIN AND CHILD.
Albertinelli (Florentine: 1474-1515).
Mariotto Albertinelli, a pupil of Cosimo Rosselli, was the friend and assistant of the painter-monk, Fra Bartolommeo (see 1694). He himself, being of an impatient character, "was so offended with certain criticisms of his work," says Vasari, "that he gave up painting and turned publican."