The subject is supposed to be that of the Roman youth who sacrificed himself by leaping into a chasm which (said the oracle) would never close until Rome threw into it the most precious thing she had. What did Rome possess more precious than her arms and courage, said Curtius as he prepared to leap, in full armour, into the gulf. If this be the subject here represented, the picture shows in an interesting way the frank anachronism of the early painters, for the local colour is certainly not that of the Roman Forum, where Curtius took his self-sacrificing leap. The picture bears strong resemblance to Raphael's earlier manner, as any visitor will see who compares it with the "Vision of a Knight" (213). "Michael Field" has put the sentiment of the picture into verse in Sight and Song:—
He comes from yonder castle on the steep,
No Roman, but a lovely Christian knight,
With azure vest and florid mantle bright,
Blown, golden hair and youthful face flushed deep
For glory in the triumph of the leap.
Though his mild, amber horse rears back at sight
Of the red flames, though poised for thrust his right
Hand grasps a knife, his countenance doth keep
Soft as Saint Michael's with the devil at bay.
So sweet it is to cast one's life away
In the fresh pride and perfume of its breath!
He smiles to think how soon the cleft will close:
And see, a sun-brimmed cloud above him throws
Its white effulgence, as he fares to death.
1305. A FAMILY GROUP.
G. Donck (Dutch: 17th Century).
There are other signed pictures by this little known painter in private collections in Vienna. They bear the dates 1627 and 1635.
Portraits of Jan van Hensbeeck and his wife, Maria Koeck, with their infant child between them.
1308. PORTRAIT OF A MAN.
J. B. Martinez del Mazo (Spanish: 1610-1687).
Juan Bautista Martinez del Mazo, the favourite pupil and the son-in-law of Velazquez, whom he succeeded in 1661 as painter to the Spanish Court. In portraiture Mazo was an imitator of the great master; he also painted hunting pieces and landscapes. His view of Zaragoza, now in the Madrid Gallery, is celebrated.
A very short thick-set figure; possibly a portrait of one of Philip IV.'s court dwarfs.