The Crowning of the Elect (165): fresco, cathedral, Orvieto.
Portraits of Dante and Virgil (from the same): " "
[For a description of these see Bevir's Visitor's Guide to Orvieto, p. 43, etc.]
Sodoma (see under 1144).
Presentation of SS. Placidas and Maurus to St. Benedict (233): fresco, Monte Oliveto.
St. Benedict Preaching (98): fresco, Monte Oliveto.
Christ (12): fresco, convent of S. Anna, near Siena.
Christ bound to the Column (61): picture, Academy, Siena.
Swoon of St. Catherine (69): fresco, S. Domenico, Siena.
Vision of St. Catherine (64): " " "
Presentation of the Virgin (263): fresco, S. Bernardino, Siena.
Tiepolo (see under 1192).
Anthony and Cleopatra (162, 168): frescoes, Palazzo Labia, Venice.
[The best of Tiepolo's works. "His frescoes in the Palazzo Labia, representing the embarkation of Anthony and Cleopatra on the Cydnus, and their famous banquet at Canopus, are worthy to be classed with the finest decorative work of Paolo Veronese."—J. A. Symonds: Century Guild Hobby Horse, April 1889.]
Timoteo della Vite (Ferrarese: 1469-1523).
The Magdalen (265): picture, Pinacoteca, Bologna.
[By the first master of Raphael. The picture is mentioned by Vasari (iii. 114): "She is standing upright, her vestment is a short mantle, but the figure is covered principally with the long hair, which falls to her feet; and this is so beautiful and natural that, while observing it, one cannot but fancy that the light silky tresses are stirred by the wind. The countenance, also, has the most divine beauty of expression, and clearly exhibits the love which this Saint bore to her Lord.">[