Thereupon when the evening set in the invincible Vrishnis and Andhakas put on unguents on their persons after bathing and began to sport in house-boats (57). O descendant of Kuru, in all those boats the celestial architect Viswakarmā had made various palaces such as Chaturasra and Swasthika (58). Some of those boats were like the mounts Kailāsha, Mandara and Sumeru. Some of them were like birds and some like deer (59). The rooms, made on those boats, were spread with carpets, lighted with emeralds, Chandrakānta, Suryakānta and other precious jems. Its doors were made of Vaiduryas. In those boats painted with gold there were rooms of the form of a joy Garuda, Krounchy, Suka and elephant (60–61). Those golden boats, guided by boatsmen, beautified greatly the water of the ocean abounding in waves (62). With floating small boats, large boats, and flats the abode of Varuna was beautified (63). Like the sky-ranging cities of the Gandharvas the boats of the Bhaimas began to move about in the ocean (64). O descendant of Bharata, the celestial architect Viswakarmā had made all those boats after the celestial garden Nandana. Garden-halls, trees, tanks, chariots and other works of art were laid out there in imitation of those of the Nandana garden. O hero, what more shall I speak, at the command of Nārayana, in those boats, resembling those of the celestial regions, every thing was constructed after its celestial model (65–67). In the forests that were laid out on the boats of the highly powerful Bhaimas the birds, emitting sweeter notes, were pilfering their minds. The white coels, born in the celestial region, were emitting various notes liked by the Yadavas. Encircled by she-peacocks the peacocks, emitting sweet notes, were dancing on the roofs of the houses beautiful like the rays of the moon (68–70). The flags, hoisted on the boats, were filled with diverse birds—and the bees, sitting on the garlands, were humming. At the mandate of Nārāyana beautiful signs of the season appeared in the sky and the trees were continually showering flowers (71–72). There blew charming and delightful wind, surcharged with filaments of flowers, carrying the coolness of sandal and exciting desire in men (73). O king, at that time by the influence of Vāsudeva, the holder of discus, the Bhaimas enjoyed heat and cold according to their pleasure. None of them experienced, hunger, thirst, exhaustion or sorrow. Thus in their sport in the ocean which was continually enlivened by the sound of trumpets, music and dancing the Bhaimas, protected by Krishna, sported obstructing that vast watery expanse for many a yojanas (74–77). The Divine Architect had constructed the boat of the high-souled Deity Nārāyana in imitation of his dress. O king, all the valuable jewels of the three worlds were brought into the boat of the highly energetic Krishna. O descendant of Bharata, for each of the wives of Krishna, a separate room was made of gold and adorned with pearls and sapphires. Thus adorned with flowers of all seasons and supplied with all sorts of perfumeries the leading Yadus played with the auspicious gods (78–81).
CHAPTER CCXXXVI. THE SPORT OF THE YADUS CONTINUED.
Vaishampāyana said:—Having lost all control over himself and his movements for drinking Kadamvari wine and with his eyes reddened the highly beautiful Bala, of large arms pasted with sandal, began to sport with Revati (1). As the full moon shines in a cloud so clad in raiments black like clouds the divine Rāma, fair like the rays of the moon and with eyes rolling in intoxication, shone there (2). With Kundala on his left ear only and adorned with beautiful lotuses, the smiling Rāma attained to an excess of delight by repeatedly looking at the countenance of his beloved consort adorned with side-long looks (3).
Thereupon at the command of Keshava, the destroyer of Kansa and Nikumbha, the beautiful Apsaras approached the holder of ploughshare prosperous like heaven itself for beholding Revati and Rāma (4). Those beautiful-bodied Apsaras, endued with charming physical frames, saluted Revati and Rāma and began to dance in accompaniment with time. And some of them sang with gestures expressive of every sort of emotion (5). According to the command of Baladeva and the daughter of the Ravata king they began to display various gestures acquired by them as desired by the Yadavas (6). Having dressed themselves after the women of the country of the Yādavas those thin-built and beautiful damsels sang, in their language, songs set to thou sands of tunes (7). O hero, before that assembly they sang various sacred themes conducive to the pleasure of Rāma and Keshava, such as the destruction of Kansa, Pralamva, and Chanura; the story of Janārddana's being tied to the mortar for which his glory was established by Yashodā and he obtained the name of Damodara; the destruction of Aristha and Dhenuka; his residence in Vraja; the destruction of Putana; his uprooting of the trees Yamala and Arjuna; his creation of wolves in time, the suppression of the wicked king of serpents Kalya by Krishna in the lake; the return of Madhusudana from that lake with lotuses, lilies, conches and Nidhis; the upholding of the mount Govardhana for the benefit of Gokula by Keshava, the source of well-being to the world; how Krishna cured the hump-backed woman, the seller of powdered scents; these accounts of the Lord shorn of birth and imperfections. The Apsaras also described how the Lord, though not a dwarf Himself, assumed the most wretched dwarfish form; how Soubha was slain; how Baladeva held up his ploughshare in all these battles; the destruction of other enemies of the gods; the battle with the proud kings at the time of the wedding of the Gāndhāra princess; the carrying away of Subhdrā; the battle with Vālāhaka and Jamvumāli; and how he carried away all the jewels in the very presence of Sakra after defeating him (7-14). O king, while those beautiful women were singing all these and various other themes pleasant and delightful to Sangkarshana and Adhokshaja, the highly beautiful Balarāma, drunk with Kadamvari wine, began to sing with his wife Revati accompanied with sweet clapping of hands (15-16). Beholding Rāma sing thus, the intelligent, high-souled and highly powerful Madhusudana, in order to please him, began to sing with Satya (17). The greatest hero of the world, Pārtha, who had come there for the sea-voyage, also delightedly joined the beautiful Subhadrā and Krishna in their singing (18). O king, the intelligent Gada, Sārana, Pradyumna, Shāmva, Satyaki and the son of Satyarjit, the greatly powerful Chārudeshna also sang there in a chorus. Rāma's sons, the greatest of heroes, the princes Nishatha and Ulmukha, the commander, Akrura, Sankha and other leading Bhaimas also sang there (19-20).
At that time, O king, by Krishna's power the boats increased in size and Janarddana sang to his best along with the leading Bhaimas (21). O heroic prince, when the immortal-like Yadu chiefs sang in this way the whole world was filled with joy and sins were dissipated (23). Thereupon for pleasing Keshava, the slayer of Madhu, Narada, the guest of the celestials, began to sing in such a way amongst the Yadavas that a portion of his matted hairs melted away (23). O prince, composing the songs there and then, that Muni, of immeasurable energy, sang them amongst the Bhaimas again and again with various gestures and motions (24). Thereupon beholding Baladeva, the daughter of the king Revata, Keshava, Pritha's son, Satyabhānā and Subhadrā, the intelligent Rishi smiled repeatedly (25). Although the wives of Keshava were patient by nature still the intelligent Nārada, ever fond of joking, with his gestures, smiles, motions and with various other means which could excite their laughter, made them laugh (26). As if instructed the Divine Muni Nārada sang various tunes high and low; and for pleasing Krishna he began to laugh aloud and shed tears of joy (27). O Prince, then the youthful damsels, conversant with gestures, gave away, at Krishna's command, the best jewels of the world, beautiful raiments, garlands made in heaven, Santānaka flowers, pearls and other flowers born in all seasons (28–29).
Thereupon after the termination of the musical soiree the Divine Krishna, holding the great and incomparable Muni Nārada, by the hand, jumped into the ocean with Satyabhāmā and Arjuna (30). Smiling a little the highly beautiful Krishna, of incomparable prowess, said to Sini's son—"Let us form ourselves into two parties and sport in the water of the ocean with the damsels. In this water of the ocean let Baladeva and Revati with my sons and some of the Bhaimas form one party and let the remaining Bhaimas and Bala's sons join my party" (31–32).
Afterwards the highly confident Keshava said to the ocean stationed before him with folded hands:—"Ocean, let your water be sweet and shorn of sharks (33). May your bed be adorned with jems and may your banks be worthy of a happy touch by the two feet. And may you, by my power, give all that you know of suited to the taste of mankind (34). May you give every sort of drink liked by people and may gentle fishes, adorned with gold, sapphires and pearls, range in your water (35). May you hold jems, and fragrant, charming and red lotuses and lilies of sweet touch and served by bees (36). May you hold numerous jars and golden vessels, from which the Bhaimas will drink, of Maireya, Mādhvika, and Asava wines (37). O ocean, be thou of cold water fragrant with the scent of flowers. Be thou so very careful that Yādavas with their women may not suffer any inconvenince (38)".
O king, having said this to the ocean Krishna began to sport with Arjuna. Satrajit’s daughter, well-read in hints given by Krishna, sprinkled water on Narada's body (39). Thereupon Rāma, his body reeling with intoxication, held lustfully, with his own hands, those of Revati and jumped sportively into the water of the ocean (40). Following Rāma the sportive sons of Krishna, with their eyes rolling in intoxication and the other leading Bhaimas, shorn of their unguents, raiments and ornaments, delightedly jumped into the ocean. Nishatha, Ulmuka and other sons of Baladeva with garlands of Santānaka flowers around their neck, clad in variegated raiments, drunk and bent on sporting, as well as the remaining Bhaimas joined Keshava's party (41-42). The powerful Yadavas, having beautiful marks and pastes on their persons, with watering vessels in their hands, began to sing songs of sweet tunes and beautifully suited for that place (43). Afterwards hundreds of well dressed damsels, fond of music, united with Apsarās living in the celestial region, began to play various notes (44). Those youthful damsels, conversant with playing instruments in the water of the etherial Ganges, and having their minds fully possessed by Cupid, delightedly played on Jaladaraura[301] and sang songs in accompaniment with it (45). At that time the beautiful celestial dancing girls, having eyes like lotus petals and adorned with lotus stalks, assumed the beauty of lotuses blown by the rays of the sun (46). O king, filled with the moon-like faces of those women appearing like hundreds of full moon, either going there of their own accord or under the decree of the Providence, the ocean appeared like the sky adorned with a thousand moons (47). O king, the cloud-like ocean was beautified with lighting like woman. The lord of waters appeared like clouds in the sky dispersed by lightning (48).
Thereupon Nārāyana, who had put beautiful marks on his body, Nārada and other members of his party sprinkled water on Baladeva and his party who had also put on beautiful marks. And the latter also sprinkled water on the former (49). At that time the wives of Krishna and Sangkarshana, out of intoxication caused by Vāruni wine and worked up with music, delightedly threw water upon one another with hands and watering instruments (50). The Bhaimas, possessed by wine, Cupid and self-dignity, with eyes reddened with intoxication, threw water upon one another and in this way assumed harsh attitude before the very presence of the ladies: they did not desist although they sported for a long time (51).
Beholding thus their too much familiar intercourse, Krishna, the holder of discus, thought for a moment and then prevented them. He too, with Pārtha and Nārada, desisted from playing on instruments in the water (52). The Bhaimas, ever affording delight to their beloved women, although they were highly sensitive, at once understood Krishna’s intention as soon as he gave hints and desisted from playing in the water: but the damsels continued dancing (53). After the termination of the dancing party Upendra got upon the shore even while the other Yadavas were in the water. He then gave the best of Munis Nārada becoming unguents and afterwards himself partook of them (54). Then beholding Upendra get out of water the incomparable Bhaimas soon left the water. Then purifying their persons with unguents, they, with the permission of Krishna, retired to the drinking ground (55). Seated there in order according to their age and position those well-known heroes refreshed themselves with diverse edibles and drinks (56). Thereupon the cooks, with great pleasure, brought there cooked meat, vinegar, pomegranates and meat of beasts fried on iron rods (57). Then a young buffalo, well-roasted on a rod, hot, soaked in clarified butter, and mixed with vinegar, Sochal salt and acid, was served (58). Meat of many fat deer roasted according to the process of skillful cooking, and sweetened with vinegar was next brought (59). Legs of beasts, mixed with salt and mustard and fried in clarified butter were also served (60). The incomparable Yādavas, with great pleasure, partook of those dishes with the roots of Arum campanulatum, pomegranates, common citrons, asafaetida, gingerade and other fragrant vegetables. They then drank in beautiful cups (61). Encircled by their beloved damsels they drank various wines such as Maireya, Madhvika and Asava prepared from the meat of birds roasted on a rod with clarified butter, acid juice, salt and sourish articles (62). They also partook of other side dishes, various fragrant salted edibles of white and red colour, curd and preparations of clarified butter (63). O king, Uddhava, Bhoja, and other heroes, who did not drink, delightedly took vegetables, vegetable-curries, cakes, curd and pudding (64). From the drinking vessel named Pālavi, they drank various fragrant drinks, milk and butter with sugar and took various sorts of fruits (65). In this way the heroic Bhaimas were pleased with eating to their fill. Afterwards, they, having their wives as their companions, joined the music again with pleasure, initiated by their consorts (66).