Wilt thou so indeed?
Hie thee, make good speed!
I am at hand here prest,
Put away tongue-shaking
And this foolish craking.
Let us try for the best:
Cowards make speech apace;
Stripes prove the man:
Have now at thy face!
Keep off, if thou can.
[And then he must strike at him, and Thersites must run away, and leave his club and sword behind.
Why, thou lubber, runnest thou away,
And leavest thy sword and club thee behind?
Now this is a sure card: now I may well say,
That a coward craking here I did find.
Masters, ye may see by this play in sight,
That great barking dogs do not most bite.
And oft it is seen that the best men in the host
Be not such that use to brag most.
If ye will avoid the danger of confusion,
Print my words in heart, and mark this conclusion:
Such gifts of God, that ye excel in most,
Use them with soberness, and yourself never boast;
Seek the laud of God in all that ye do:
So shall virtue and honour come you to.
But if you give your minds to the sin of pride,
Vanish shall your virtue, your honour away will slide.
For pride is hated of God above,
And meekness soonest obtaineth his love.
To your rulers and parents be you obedient,
Never transgressing their lawful commandment.
Be ye merry and joyful at board and at bed:
Imagine no traitory against your prince and head.
Love God, and fear him, and after him your king,
Which is as victorious as any is living.
Pray for his grace, with hearts that doth not feign,
That long he may rule us without grief or pain.
Beseech ye also that God may save his queen.
Lovely Lady Jane, and the prince that he hath sent them between,[613]
To augment their joy and the Commons' felicity!
Fare ye well, sweet audience, God grant you all prosperity.
AMEN.
FOOTNOTES:
1. A Select Collection of Old Plays. A new edition, with Additional Notes and Corrections, by the late Isaac Reed, Octavius Gilchrist, and the Editor (J.P. Collier. London, 1825-27-28. 13 vols. post 8vo, including a Supplement).
2. Not only has the editor brought together, and arranged in their proper sequence, certain dramas of great curiosity hitherto not reprinted at all, but he has incorporated with the old series of Dodsley all the pieces in the collections of Dilke, Hawkins, &c., which still remained uncollected. Of course, of those writers of whom we possess valuable texts by Gifford, Dyce, and other scholars, no specimens were necessary. To the library editions of Jonson, Shirley, Greene, Peele, &c., these new volumes, from which they have been intentionally excluded, ought to be acceptable companions.
3. Origin of the English Drama. 1773. 8vo, 3 vols.
4. Old English Plays, being a selection from the early dramatic writers. 1816. 8vo, 6 vols.
5. For many of the notes contributed by Dodsley and his followers, the present editor should not be held answerable; nor would he have retained them, had he not apprehended a complaint that the work was by their omission impaired in value. In certain cases, nevertheless, where a remark or explanation was absolutely erroneous, it seemed to be an imperative duty to suppress it, and if necessary to substitute another for it. A large proportion of the extracts at the foot of the pages have been collated, by which process a variety of mistakes has been removed.