68. So the old copy, but perhaps we ought to read pining.
69. Patient, invalid.
70. A proverbial expression.
71. The colophon is: "Johes rastell me imprimi fecit. Cum privilegio regali." Beneath is the printer's device.
72. It is now known that at least four editions of this moral play were printed, two by Richard Pynson, and two by John Skot. See Hazlitt's "Handbook," p. 463-4, where all will be found described.
73. Afterwards sold with others to Dibdin for 500 guineas, and advertised in the Lincoln Nosegay, 1814.
74. For the present edition the two impressions by Pynson, unknown to Hawkins, and one of those issued by Skot about 1530, have been collated. Hawkins was not aware that Skot printed the piece more than once. The imperfect copy by Pynson, in the British Museum, restores not only words, but portions of lines dropped in Skot's two issues, and has been of the greatest value on this occasion. But, on the other hand, both Pynson's editions, so far as they respectively go, exhibit misreadings, which are set right in Skot's.
75. Skot's other edition, wonderous.
76. The Second Person of the Trinity seems here to be meant.—Percy. [In this opinion it is hardly easy to concur. It appears to have been the Godhead whom the writer intended to personify, and although he makes the speaker refer to his Passion and Redemption, it is evidently only in a delegated sense; for Death refers to him spiritually as the Almighty.]
77. Appaireth the same as impaireth, grows worse, degenerate, &c.