[201] Mr Dodsley reads, back again.
[202] "This term," says Mr Malone, "came into use from the name of a celebrated fool. This I learn from Wilson's 'Art of Rhetorique,' 1553: 'A word making, called of the Grecians Onomatopiea, is when we make words of our own mind, such as be derived from the nature of things,' as to call one patche, or cowlson, whom we see to do a thing foolishly; because these two in their time were notable fools.
"Probably the dress which the celebrated patch wore was in allusion to his name, patched or parti-coloured. Hence the stage-fool has ever since been exhibited in a motley coat. In Rowley's 'When you see me, you know me,' Cardinal Wolsey's fool Patch is introduced. Perhaps he was the original patch of whom Wilson speaks."—Note on "Merchant of Venice," act ii., sc. 5.
In Chaloner's translation of the "Praise of Folly," by Erasmus, 1549, is the following passage: "And by the fayeth ye owe to the immortal godds, may any thing to an indifferent considerer be deemed more happie and blisful than is this kinde of men whome commonly ye call fooles, poltes, ideotes, and paches?"
Again, "I have subtraied these my selie paches, who not onelye themselves are ever mery, playing, singing, and laughyng, but also whatever they doo, are provokers of others lykewyse to pleasure, sporte, and laughter, as who sayeth ordeyned herefore by the Godds of theyr benevolence to recreate the sadnesse of mens lyves."
[203] In all cases of distress, and whenever the assistance of a superior power was necessary, it was usual with the Roman Catholics to promise their tutelary saints to light up candles at their altars, to induce them to be propitious to such applications as were made to them. The reader will see a very ridiculous story of this kind in the first volume of Lord Oxford's "Collection of Voyages," p. 771, quoted in Dr Grey's "Notes on Shakspeare," vol. i. p. 7. Erasmus has a story to the same purpose in his "Naufragium."
[204] [Respecting this song, see Bell's "Songs from the Dramatists," p. 34.]
[205] Alluding to the drunkenness of the Friars.
[206] So in act iii., sc. 4—
"A cup of ale had in his hand, and a crab lay in the fire."