The principal reasons for supposing that Lodge studied medicine are the existence of a "Treatise of the Plague," published by "Thomas Lodge, Doctor in Physic," in 1603, and of a collection of medical recipes in MS., called "The Poor Man's Legacy," addressed to the Countess of Arundel, and sold among the books of the Duke of Norfolk.[95] [There can be little or no question that the physician and poet were one and the same. In "England's Parnassus," 1600, he is called indifferently Thomas Lodge and Doctor Lodge.] The author of the "Treatise of the Plague" expressly tells the Lord Mayor of London, in the dedication, that he was "bred and brought up" in the city. Thomas Heywood, in his "Troja Britannica," 1609, enumerates the celebrated physicians then living—
"As famous Butler, Pedy, Turner, Poe,
Atkinson, Lyster, Lodge, who still survive."—C. 3.
It hardly deserves remark that Lodge is placed last in this list; but had he been the same individual who had written for the stage, was the friend of so many dramatists, and was so well known as a lyric poet, it seems likely that Heywood would have said more about him.[96] It is a singular coincidence, that having written how to prevent and cure the plague, he should die of that disease during the great mortality of 1625. Wood's expressions on this point, however, are not decisive: "He made his last exit (of the plague, I think) in September 1625, leaving then behind him a widow called Joan." It has been conjectured [rather foolishly] that he was a Roman Catholic, from a statement made by one of his biographers that, while he practised medicine in London, he was much patronised by persons of that persuasion.
There are but two existing dramatic productions on the title-pages of which the name of Lodge is found:[97] the one he wrote alone, and the other in partnership with Robert Greene:—
(1.) The Wounds of Civill War. Lively set forth in the true Tragedies of Marius and Scilla, &c. Written by Thomas Lodge, Gent. 1594, 4to.
(2.) A Looking Glasse for London and Englande. Made by Thomas Lodge, Gentleman, and Robert Greene, in Artibus Magister. 1594, 1598, 1602, 1617, all in 4to.[98]
The most remarkable [of his works], and that which has been most often reprinted, is his "Rosalynde" which, as is well known, Shakespeare closely followed in "As You Like It."[99]
Anterior to the date of any of his other pieces must have been Lodge's defence of stage-plays, because Stephen Gosson replied to it about 1582. It was long thought, on the authority of Prynne, that Lodge's tract was called "The Play of Plays," but Mr Malone ascertained that to be a different production. The only copy of Lodge's pamphlet seen by Mr Malone was without a title, and it was probably the same that was sold among the books of Topham Beauclerc in 1781. It is spoken of in "The French Academy" [1589] as having "lately passed the press;" but Lodge himself, in his "Alarum against Usurers," very clearly accounts for its extreme rarity: he says, "by reason of the slenderness of the subject (because it was in defence of plaies and play-makers) the godly and reverent that had to deal in the cause, misliking it, forbad the publishing;" and he charges Gosson with "comming by a private unperfect coppye," on which he framed his answer, entitled, "Plays confuted in Five Actions."
Mr Malone ("Shakespeare," by Boswell, ii. 250) contends that Spenser alludes to Lodge, in his "Tears of the Muses," under the name of Alcon, in the following lines:—
"And there is pleasing Alcon, could he raise
His tunes from lays to matters of more skill;"