Dimension and proportion first attracted the attention of the philosophers. Aristotle compares a man whose head possesses extraordinary volume to an owl; while Albertus Magnus looks upon him as an idiot; and the physician, Porta, significantly informs us that Vitellius had an immense head. If, on the contrary, a man possess a cerebrum of the usual circumference, but exceeding by a little the volume of ordinary heads, the same authors regard him as a man of superior intelligence, endowed with a noble soul, a brilliant and fertile imagination; and, as an example, adduce the head of Plato which exceeded in proportion the remainder of his body. Alexander the Great had a small head, compared even with his person, which as is well known was diminutive.
The quality and colour of the hair was likewise a subject of speculative theory for the ancients. Lank hair was considered indicative of pusillanimity and cowardice; yet the head of Napoleon was guiltless of a curl! Frizzly hair was thought an indication of coarseness and clumsiness. The hair most in esteem, was that terminating in ringlets. Dares, the historian, states that Achilles and Ajax Telamon had curling locks; such also was the hair of Cymon, the Athenian. As to the Emperor Augustus, nature had favoured him with such redundant looks, that no hair-dresser in Rome could produce the like. Auburn or light brown hair was thought the most distinguished, as portending intelligence, industry, a peaceful disposition, as well as great susceptibility to the tender passion. Castor and Pollux had brown hair; so also had Menelaus. Black hair does not appear to have been esteemed by the Romans; but red was an object of aversion. Ages before the time of Judas, red hair was thought a mark of reprobation, both in the case of Typhon, who deprived his brother of the sceptre of Egypt, and Nebuchednezzar who acquired it in expiation of his atrocities. Even the donkey tribe suffered from this ill-omened visitation, according to the proverb of “wicked as a red ass.” Asses of that colour were held in such detestation among the Copths, that every year they sacrificed one by hurling it from a high wall.
Next in importance to the hair, were the ears; the size and shape of which harmless cartilages, supplied important conjectures. According to Aristotle, large ears are indicative of imbecility; while small ones announce madness. Ears which are flat, point out the rustic and brutal man. Those of the fairest promise, are firm and of middling size. Happy the man who boasts of square ears; a sure indication of sublimity of soul and purity of life. Such, according to Suetonius, were the ears of the Emperor Augustus.
Having considered the conformation of the head, the colour and quality of the hair, and the shape of the ears, let us treat of the complexion; of which the most unfavourable is the yellow, livid, or leaden, like those of Caligula, Attila, and the most notorious tyrants of the olden time. The eyes should neither be too large nor too little; the first announcing laziness, like those of the ox. Such were the eyes of Domitian, the vainest, most inert, and cowardly of men. Upon this point, Aristotle is at complete variance with Homer; who is so enraptured with large eyes, that, in order to define the beauty of those of Juno, he names her Boopis or “ox-eyed.” Neither large nor small eyes afford proof of intellect; and no person who is not afflicted with squinting has any right to complain.
It is usual to consider large eyes the finest, a prejudice so universal, that it is commonly said, “She is ugly, certainly; but then she has such fine eyes!”—or, “She is a pretty woman; but her eyes are too small.” Whereas neither form nor dimension constitutes the beauty or influence of eyes; but rather their expression. The colour of eyes is a mere matter of taste; though Aristotle asserts that persons gifted with almond shaped blue eyes, are frank and intelligent; with brown, clever and good; with green, courageous and enterprising. As to black eyes, Aristotle pronounces them to be the sure prognostics of timidity and pusillanimity. Red eyes are indicative of bad temper. The gossips of France have quite as good a theory as that of Aristotle; viz: that “Les yeux bleus vont aux cieux; les yeux gris, en Paradis; les yeux noirs, en purgatoire, les yeux verts, en enfer!”
Bushy eyebrows are indicative of a brutal obstinate and impious character; long eyebrows, of arrogance, and insolence; spare eyebrows, of effeminacy and cowardice. But if they are thick, flexible, and parallel, you may rely on a sound judgment and superior wisdom. Such are ever the brows of Jupiter; attesting the theory of Aristotle.
The question of noses occupies a prominent place in theories of the human physiognomy. The flat nose is indicative of a propensity to pleasure and luxury; the pointed, of ill-temper and frivolity; a deviation from the straight line, of a disposition to malice and repartee. Since the days of Aristotle, this opinion has been permanent; a crooked nose, being the attribute of a satirical mind. The owner of a diminutive nose, is usually cunning and dissimulating; of a large nose, imprudent and discourteous.
Let us here observe, that if there be one feature in the human face more characteristic than another, it is the nose. Examine the head of a skeleton which exhibits trace of human features, save the nasal bone; which though prominent, is an integral part of the cerebral globe. Now if the brain be the seat of intelligence, may not the nose be influenced by its propinquity to the brain? Humbly submitting this question to the consideration of science, we proceed to consider the theories of other speculators.
Amongst Europeans, the Italians rank first for beauty of nose; the Dutch, for the excessive ugliness of that feature. The English nose is apt to be thick and cartilaginous; that of the Jews, somewhat crooked. In France, almost every man of genius has had a well-formed nose. Short and flat noses, so censured by Aristotle, still rank low in the science of physiognomy. Socrates, however, was a singular instance of a hideous nose. Boerhaave and Gibbon possessed one of the same disagreeable form.
The mouth attracted the notice of the ancients as much as the nose. A moderate mouth was, in their estimation, a symbol of courage, capacity, and nobleness of heart. The indication indeed was infallible when accompanied with a square and well-formed chin, an expansive forehead, and firm and rosy cheeks. The Greeks did not confine their observations to the head and face in forming a judgment of the moral and intellectual faculties; but regarded every component part of the human frame. Since, however, we are more discreetly clothed than the Greeks, we decline following their researches. The eyelids, nails, moles, and even teeth, were taken into consideration: more especially the latter, as indicative of the workings of the mind. If authentic, the science of physiognomy would be universally studied, for how useful would it be to detect the good or evil qualities of man or woman by a glance at their faces! As it stands at present, however, many false inferences would be made. For instance, we are told that well shaped blue eyes, portend intelligence and frankness; qualities incompatible with a sound nose. But if found together, as is often the case, what is to be decided between two positive contradictions, the nose rendering impossible the virtues promised by the eyes? The indications of the mouth and eyebrows may be equally at variance; and physiognomy presents a tissue of similar contradictions.