Four tall statues, two seated and two standing, form the framework of an altar-screen with painting, the latter surmounted by the statue of the patron of the chapel.
The altar of the south arm (E on plan) is dedicated to Our Lady of Puy, represented drawing a child out of a well (photo opposite.)
The painting of the altar-screen by the Flemish artist François Francken (The Assumption), is the finest in the Cathedral.
The altar in the north arm (F on plan) is dedicated to St. Sebastian, seen at the top pierced with arrows.
In the aisle of each arm, against the enclosure wall of the last chapel in the nave, will be seen in Flamboyant style niches, early 16th century carvings representing: In the south arm, an episode in the life of St. James the Less (5 on plan), and in the north arm (6 on plan), the story of Jesus driving the buyers and sellers out of the Temple (photo p. 26).
These carvings have never been restored.
Other noteworthy objects in the transept are:
1. South arm: In the arcading of the Gilded Virgin Door are three fine late 13th century statues of angels with the instruments of the Passion. At the top of the pediment is a statue of St. Michael (16th century).
Below the stone carvings in the aisles, eight black marble tables, surmounted by small bas-reliefs by Blasset representing the principal episodes in the life of the Virgin.
On the tables are inscribed all the names, with their respective devices, of the Masters of the Brotherhood of our Lady of Puy, from 1389 to 1729 (p. 42).