The four oldest of these panels, the wood carving of whose frames is remarkable, are considered to be among the most interesting of the early 16th century French School.
The devices of these panels are as follows:
1. Painting (1518). No. 390 (1911 edition of catalogue): Au juste poix, véritable balance; fine Renaissance frame (photo above).
2. Painting (1519), No. 391: Pré ministrant pasture salutaire; Gothic-Flamboyant frame.
3. Painting (1520), No. 392: Palme eslute du Seigneur pour Victoire. In the fine landscape with river, which forms the background, the city of Amiens is seen with its cathedral.
4. Painting (1521), No. 393, greatly damaged: Le vray support de toute créature.
The other panels are more modern and do not offer the same interest.
Several other old paintings were formerly to be found in this room, especially the central panel of a triptych (end 15th century), No. 403, representing Christ blessing, surrounded by the donor and his family, with St. John the Baptist and St. Barbara.