You will perceive that I have on no occasion sanctioned the baser motives of private pique, envy, revenge, and love of detraction. At least I have not recommended harsh treatment upon any of these grounds. I have argued simply on the abstract moral principle which a Reviewer should ever have present to his mind: but if any of these motives insinuate themselves as secondary springs of action, I would not condemn them. They may come in aid of the grand Leading Principle, and powerfully second its operation.
But it is time to close these tedious precepts, and to furnish you with, what speaks plainer than any precept, a Specimen of the Art itself, in which several of them are embodied. It is hastily done: but it exemplifies well enough what I have said of the Poetical department; and exhibits most of those qualities which disappointed Authors are fond of railing at, under the names of Flippancy, Arrogance, Conceit, Misrepresentation, and Malevolence: reproaches which you will only regard as so many acknowledgments of success in your undertaking; and infallible tests of an established fame, and [a] rapidly increasing circulation.
L'Allegro. A Poem.
By John Milton.
No Printer's name.
IT has become a practice of late with a certain description of people, who have no visible means of subsistence, to string together a few trite images of rural scenery, interspersed with vulgarisms in dialect, and traits of vulgar manners; to dress up these materials in a Sing-Song jingle; and to offer them for sale as a Poem. According to the most approved recipes, something about the heathen gods and goddesses; and the schoolboy topics of Styx and Cerberus, and Elysium; are occasionally thrown in, and the composition is complete. The stock in trade of these Adventurers is in general scanty enough; and their Art therefore consists in disposing it to the best advantage. But if such be the aim of the Writer, it is the Critic's business to detect and defeat the imposture; to warn the public against the purchase of shop-worn goods and tinsel wares; to protect the fair trader, by exposing the tricks of needy Quacks and Mountebanks; and to chastise that forward and noisy importunity with which they present themselves to the public notice.
How far Mr. Milton is amenable to this discipline, will best appear from a brief analysis of the Poem before us.
In the very opening he assumes a tone of authority which might better suit some veteran Bard than a raw candidate for the Delphic bays: for, before he proceeds to the regular process of Invocation, he clears the way, by driving from his presence (with sundry hard names; and bitter reproaches on her father, mother, and all the family) a venerable Personage, whose age at least and staid matron-like appearance, might have entitled her to more civil language.