Armenian Legends and Poems

by Unknown

The sister of Anahit was Astghik,[7] the goddess of beauty, a personification of the moon, corresponding to the Phoenician and Sidonian Astarte. Strange to say, the Persians had no goddess of beauty, but the bright sky of Armenia, its numerous valleys, the torrents running down from snow-capped mountains, the lakes, the cultivated fields and meadows tended to strengthen the sense of beauty, and, therefore, Armenia had a goddess of beauty, who was not to be found in the pantheon of the neighbouring country.

The Armenians assigned Astghik a husband worthy of her. He was Vahagn, deified on account of his valour. In ancient songs, he is credited with a miraculous birth. The fires of heaven and earth, and the sea crimson in the light of dawn, travailed to bring him into being.[8] As we shall see later, Moses of Khorene has preserved portions of these songs. Vahagn was called Vishapakagh (Uprooter of dragons), as he cleared the Armenian land of monsters and saved it from evil influences. His exploits were known not only in Armenia, but in the abode of the gods. Having stolen corn from the barns of King Barsham of Assyria, he ran away and tried to hide himself in heaven. From the ears he dropped arose the Milky Way, which is called in Armenia the Track of the Corn-stealer.

The third daughter of Aramazd was Nané or Nooné. She was the goddess of contrivance. It was believed by the Armenians that contrivance was a necessary power for a woman, because, in the management of the household, she had to make big things out of small ones, and circumstances were already against her on account of the vicissitudes which Armenia was constantly undergoing.

Sandaramet, the wife of Aramazd, was an invisible goddess and a personification of the earth. Aramazd sent rain upon her, which brought forth the vegetation on the earth. She came to be a synonym of Hades and was very frequently referred to as such in theological books and in the hymnary of the Christian Church.

Besides these gods of their own, the Armenians also adopted alien divinities. When Tigranes brought a number of Phoenicians to Armenia as prisoners, they brought with them their god Ammon, from whose name comes the word Ammonor,[9] “the day of Ammon”—the New Year. Assyrian, Arab, and other emigrations also led to the introduction of foreign deities. An Armenian king, when he brought home captives, also introduced the gods of those captives, whose images were placed in the temples beside those of the native gods that they most closely resembled. Even Indian fugitives brought the brother-gods, Demetr and Gisanes, whose images were not like those of the other gods of Armenia, for the images of the gods of Armenia are, as a rule, small, whereas these were very tall, with long black hair and black faces. There was also a great immigration of Jews into Armenia, and this influenced the Armenians in the direction of monotheism. Besides the principal gods, there were also secondary ones. These were spirits, corresponding to angels, who acted as guardians to different classes of natural objects:—Kadjk,[10] who occupied the mountains; Parik, who presided over flocks; and many others.

Water was honoured in Armenia as a masculine principle. According to Tacitus (Annals, vi. 37) the Armenians offered horses as sacrifices to the Euphrates, and divined by its waves and foam. Sacred cities were built around the river Araxes and its tributaries. Even now there are many sacred springs with healing powers, and the people always feel a certain veneration towards waters in motion.

There were gods who lived in the waters and destroyed harmful monsters of the deep. There was also a god who breathed out a mysterious atmosphere which destroyed malignant creatures. One wonders whether this is a foreshadowing of the fear of microbes. All the gods of this class were friendly to agriculturists.

There were also “Haurot-Maurot,” the name of a flower (hyacinthus racemosus Dodonei) first mentioned by Agathangelos. The Arabs incorporated them in the Quran (ii. 96) as two angels sent down to live in Babel in human circumstances.

Alk, who dwelt in the waters, was a very harmful devil. He used to live in the corners of houses and stables, and in damp places. He had eyes of fire, nails of copper, teeth of iron, and the jaws of a wild boar. He carried a sword of iron in his hand and was a bitter enemy to pregnant women, near whom he sat at the time their child was born.

There were nymphs, who were guardians of women. They wandered through gardens and amid streams, but were invisible. They attended weddings and frequented bathrooms and the women’s quarters in general. These nymphs and spirits were innumerable. Every woman was supposed to have a guardian nymph. The nymphs were supposed by some to be immortal and endowed with perpetual youth; others described them as mortal though they never grew old. There was also a group of male spirits who were regarded by some as mortal, by others as immortal. They wandered with the nymphs through forests, gardens, and other open places. They were imagined as very tall, with features like those of men; some were half-man and half-animal. Some were called Parik, “dancers”; others Hushka parik, “dancers to a melody in a minor key.”