This more primitive type embodies the eternal patience of those humble toiling women who through the generations have been held of little value, save as their drudgery ministered to their men. One of them related her habit of going through the pockets of her drunken son every pay-day, and complained that she had never got so little as the night before, only twenty-five cents out of fifteen dollars he had promised for the rent long overdue. 'I had to get that as he lay in the alley before the door; I couldn't pull him in, and the copper who helped him home left as soon as he heard me coming and pretended he didn't see me. I have no food in the house nor coffee to sober him up with. I know perfectly well that you will ask me to eat something here, but if I can't carry it home, I won't take a bite nor a sup. I have never told you so much before. Since one of the nurses said he could be arrested for my nonsupport, I've been awfully close-mouthed. It's the foolish way all the women in our street are talking about the Devil Baby that's loosened my tongue—more shame to me.'
There are those, if possible more piteous still, who have become absolutely helpless and can therefore no longer perform the household services exacted from them. One last wish has been denied them. 'I hoped to go before I became a burden, but it was not to be'; and the long days of unwonted idleness are darkened by the haunting fear that 'they' will come to think the burden too heavy and decide that the poorhouse is 'the best.' Even then there is no word of blame for undutiful children or heedless grandchildren, for apparently all that is petty and transitory falls away from austere old age; the fires are burned out, resentments, hatreds, and even cherished sorrows have become actually unintelligible. It is as if the horrors through which these old people had passed had never existed for them; and, facing death as they are, they seem anxious to speak only such words of groping wisdom as they can command.
This aspect of memory has never been more clearly stated than by Gilbert Murray in his Life of Euripides. He tells us that the aged poet, when he was officially declared to be one of 'the old men of Athens,' said, 'Even yet the age-worn minstrel can turn Memory into song'; and the memory of which he spoke was that of history and tradition, rather than his own. The aged poet turned into song even the hideous story of Medea, transmuting it into 'a beautiful remote song about far-off children who have been slain in legend, children who are now at peace and whose ancient pain has become part mystery and part music. Memory—that Memory who is the mother of the Muses—having done her work upon them.'
The vivid interest of so many old women in the story of the Devil Baby may have been an unconscious, although powerful, testimony that tragic experiences gradually become dressed in such trappings in order that their spent agony may prove of some use to a world which learns at the hardest; and that the strivings and sufferings of men and women long since dead, their emotions no longer connected with flesh and blood, are thus transmuted into legendary wisdom. The young are forced to heed the warning in such a tale, although for the most part it is so easy for them to disregard the words of the aged. That the old women who came to visit the Devil Baby believed that the story would secure them a hearing at home, was evident, and as they prepared themselves with every detail of it, their old faces shone with a timid satisfaction. Their features, worn and scarred by harsh living, even as effigies built into the floor of an old church become dim and defaced by rough-shod feet, grew poignant and solemn. In the midst of their double bewilderment, both that the younger generation were walking in such strange paths and that no one would listen to them, for one moment there flickered up that last hope of a disappointed life, that it may at least serve as a warning while affording material for exciting narrations.
Sometimes in talking to one of them, who was 'but a hair's breadth this side of the darkness,' one realized that old age has its own expression for the mystic renunciation of the world. The impatience with all non-essentials, the craving to be free from hampering bonds and soft conditions, was perhaps typified in our own generation by Tolstoi's last impetuous journey, the light of his genius for a moment making comprehensible to us that unintelligible impulse of the aged.
Often, in the midst of a conversation, one of these touching old women would quietly express a longing for death, as if it were a natural fulfillment of an inmost desire. Her sincerity and anticipation were so genuine that I would feel abashed in her presence, ashamed to 'cling to this strange thing that shines in the sunlight, and to be sick with love for it.' Such impressions were in their essence transitory, but one result from the hypothetical visit of the Devil Baby to Hull-House will, I think, remain: a realization of the sifting and reconciling power inherent in Memory, itself. The old women, with much to aggravate and little to soften the habitual bodily discomforts of old age, exhibited an emotional serenity so vast and reassuring that I found myself perpetually speculating as to how soon the fleeting and petty emotions which seem so unduly important to us now might be thus transmuted; at what moment we might expect the inconsistencies and perplexities of life to be brought under this appeasing Memory, with its ultimate power to increase the elements of Beauty and Significance and to reduce, if not to eliminate, stupidity and resentment.
III
As our visitors to the Devil Baby came day by day, it was gradually evident that the simpler women were not moved wholly by curiosity, but that many of them prized the story as a valuable instrument in the business of living.
The legend exhibited all the persistence of one of those tales which have doubtless been preserved through the centuries because of their taming effects upon recalcitrant husbands and fathers. Shamefaced men brought by their women-folk to see the baby but ill-concealed their triumph when there proved to be no such visible sign of retribution for domestic derelictions. On the other hand, numbers of men came by themselves. One group from a neighboring factory, on their 'own time,' offered to pay twenty-five cents, a half-dollar, two dollars apiece to see the child, insisting that it must be at Hull-House because 'the women-folks had seen it.' To my query as to whether they supposed we would exhibit for money a poor little deformed baby, if one had been born in the neighborhood, they replied, 'Sure, why not?' and, 'It teaches a good lesson, too,' they added as an afterthought, or perhaps as a concession to the strange moral standards of a place like Hull-House. All the members of this group of hardworking men, in spite of a certain swagger toward one another and a tendency to bully the derelict showman, wore that hang-dog look betraying the sense of unfair treatment which a man is so apt to feel when his womankind makes an appeal to the supernatural. In their determination to see the child, the men recklessly divulged much more concerning their motives than they had meant to do, and their talk confirmed my impression that such a story may still act as a restraining influence in that sphere of marital conduct, which, next to primitive religion itself, we are told, has always afforded the most fertile field for irrational tabus and savage punishments.
What story more than this could be calculated to secure sympathy for the mother of too many daughters, and contumely for the irritated father? The touch of mysticism, the supernatural sphere in which it was placed, would render a man perfectly helpless.