'Why wouldn't plain Christianity do all your reforming, and do it better?' demanded Martha abruptly.
'Assuredly it would—if Christianity were more generally a condition instead of a theory among us. I wouldn't undertake to say off-hand why the sanctions of common sense seem more precious to the present generation than the sanctions of religion, when in so many points they are identical, but I must conform my theorizings to the fact. Yet with all our neglect of religion the traditions of the spirit have not changed! They are the same from everlasting to everlasting. And one of the things the nineteenth century most wonderfully made clear was that the evolution of the spirit is the thing Nature has been seeking for hundreds of millions of years. I don't suppose that age-long process with the tremendous impetus of all creation behind it is really going to be upset by the turmoil of one materialistic generation. But I do believe that if we go with the current of materialism, we and all our works shall be tossed aside as refuse, thrown into Nature's garbage-can. I tell you, I can't bear the disgrace of it.'
'Honoria, you almost persuade me to be intensive,' said Grace, 'but I am not reconciled to the doctrine at one point—the question of beauty. I admit that one cannot vitalize a lot of senseless luxury. I admit, too, that comfort and a certain amount of beauty can always be successfully domesticated and charged with personality, as you phrase it, and that the result is completely satisfying. But is one never to indulge one's self in all the beauty money will buy, never to have everything of an absolute perfection? You are against great houses, but there is Mountly House, at home. It is big, but so beautiful that you are at home in it all over. What of it, and others like it?'
'Big and beautiful it is, but it is on my side of the argument, none the less. If you remember, the architect was also the decorator. It is the triumph of his imagination. He designed it as a background for a woman of opulent beauty and domestic tastes. He ransacked Europe for the furnishings, tapestries, all sorts of exquisite, ancient things. He was a great artist and he created a work of art. The family fit into the picture more or less awkwardly. It is his house, not theirs at all. And I truly believe that the ultimate purpose of our houses excludes our going up and down another's stairs.
'Yet I believe in all the beauty one can vitalize. It is essentially wholesome. It does not lend itself to morbid demands. The collector's passion looks like greed, and doubtless for a time it is greed. But, sooner or later, Too-Much sickens them. Their adorable possessions teach them there is profanation in having more wonderful things than they can enter into personal relation with. Therefore the inevitable end of all overgrown collections is the museum or the auction-room. I have seen it too often not to know it is true!—If you want a perfect illustration of this in literature read Mrs. Wharton's The Daunt Diana. It cuts down like a knife to the essential fact that our relations with beauty must be limited enough to have the personal quality. And—don't you see?—this automatic destruction of greed that beauty finally teaches to the collector, is the same automatic destruction of it that I dare think intensive living in our homes might bring to all greed. It is a proof of the theory on another plane.'
'I think one might own a Mountly House without greed,' persisted Grace wistfully. 'Having no house at all, I naturally refuse to think of myself as ending my days in any less perfect domicile. What do you mean by the "ultimate purpose" of our houses?'
'Ah! that,' said Honoria, with a quick indrawing of her breath, 'is the very core of all my thought, and I don't know how to make you see it!'
She rose abruptly and walked to the end of the veranda. She stood there a while, looking across at the spreading gables of her own brown bungalow, with the yearning on her face that only house-mothers know. Yonder was her home. Set on a mighty shoulder of the earth, facing the sunset and the sea, it clung to the soil as the brown rocks cling. Behind it were the mighty Sierras with their crests of snow; before it, the sweetest land God ever smiled upon; within it, all the treasures of her eyes, her mind, her heart. Just as it stood there in the February sun, it was an abode compact of love, of aspiration, of desire. The ancient love of man for his shelter had gone into it, and the love of woman for the place of her appointed suffering. Desire for beauty and hope of peace were in its making. Its walls had heard the birth-cries; her children had played about its doors; out from it had been borne her dead. Inconsiderable speck on the vast hill-shoulder that it was, it could defy time and the elements, even as she defied them, for she had given it of her own immortality.
'I have not yet said it all,' she said a little thickly. 'It is hard to say, even to you. I have found an attitude of mind, a path, a way of life I call intensive, for lack of a better name, and I believe in it, not only because it increases my sane satisfaction in living, but also because it finally leads out—out of all this tangle of our material lives, into the eternal spaces.
'I see the world of men's business activities chiefly as a place of wrath and greed, and yet even the most grasping must be blindly seeking through their greed an ultimate satisfaction—not more houses or more automobiles, or railroads, or mines, or even power, but something dimly apprehended as beyond all these and more than they—something that is good and that endures. For we all want the Enduring Thing. One man sees it here, another there. As for me, I see it in my house. I tell you, the Greeks and Romans did not make a religion of the hearthstone; they merely recognized the religion that the hearthstone is. Under that quiet roof I have learned that it is a woman's business to take stones and make them bread. Only she can make our surroundings live and nourish us.