Soon the old sleigh drove off from the brown house, tightly packed and heavily loaded. And Gracie and Dicky were creeping up to their little beds.
“There’s been something put on the altar of Liberty to-night, hasn’t there, Dick?”
“Yes, indeed,” said Dick; and, looking up to his mother, he said, “But, mother, what did you give?”
“I?” said the mother, musingly.
“Yes, you, mother; what have you given to the country?”
“All that I have, dears,” said she, laying her hands gently on their heads,—“my husband and my children!”
II.—THE ALTAR OF ——, OR 1850.
The setting sun of chill December lighted up the solitary front window of a small tenement on —— street, which we now have occasion to visit. As we push gently aside the open door, we gain sight of a small room, clean as busy hands can make it, where a neat, cheerful young mulatto woman is busy at an ironing-table. A basket full of glossy-bosomed shirts, and faultless collars and wristbands, is beside her, into which she is placing the last few items with evident pride and satisfaction. A bright, black-eyed boy, just come in from school, with his satchel of books over his shoulder, stands, cap in hand, relating to his mother how he has been at the head of his class, and showing his school-tickets, which his mother, with untiring admiration, deposits in the little real china tea-pot, which, as being their most reliable article of gentility, is made the deposit of all the money and most especial valuables of the family.
“Now, Henry,” says the mother, “look out and see if father is coming along the street;” and she begins filling the little black tea-kettle, which is soon set singing on the stove.
From the inner room now daughter Mary, a well-grown girl of thirteen, brings the baby, just roused from a nap, and very impatient to renew his acquaintance with his mamma.