A REMINISCENCE OF OLD CAMBRIDGE.
In looking back upon my early days, one of the images that rises most vividly to my mind's eye is that of Miss Molly ——, or Aunt Molly, as she was called by some of her little favorites, that is to say, about a dozen girls, and (not complimentary to the unfair sex, to be sure) one boy. There was one, who, even to Miss Molly, was not a torment and a plague; and I must confess he was a pleasant specimen of the genus. At the time of which I speak, the great awkward barn of a school-house on the Common, near the Appian Way, had not reared its imposing front. In its place, in the centre of a grass-plot that was one of the very first to look green in spring, and kept its verdure through the heats of July, stood the brown, one-storied cottage which she owned, and in which the aged woman lived, alone. Her garden and clothes-yard behind the house were fenced in; but in front, the visitor to the cottage, unimpeded by gate or fence, turned up the pretty green slope directly from the street to the lowly door.
As I have started for a walk into the old times, and am not bound by any rule to stick to the point, I will here digress to say that the Episcopal Church (the Church, as it was simply called, when all the rest were "meeting-houses"), that tells the traveller what a pure and true taste was once present in Cambridge, and, by the contrast it presents to the architectural blunders that abound in the place, tells also what a want of it there is now,—this beautiful church stood most appropriately and tastefully surrounded by the green turf, unbroken by stiff gravel walks or coach sweep, and undivided from the public walk by a fence. Behind the church, and forming a part of its own grounds, (where now exist the elegances of School Court,) was an unappropriated field; and that spot was considered, by a certain little group of children, of six or seven years old, the most solitary, gloomy, mysterious place in their little world. When the colors of sunset had died out in the west, and the stillness and shadow of twilight were coming on, they used to "snatch a fearful joy" in seeing one of their number (whose mother had kindly omitted the first lesson usually taught to little girls, to be afraid of every thing) perform the feat of going slowly around the church, alone, stopping behind it to count a hundred. Her wonderful courage in actually protecting the whole group from what they called a "flock of cows," and in staking and patting the "mad dogs" that they were for ever meeting, was nothing to this going round the church!
But to return to the cottage, from which the pretty, rural trait of its standing in its unfenced green door-yard led me away to notice the same sort of rustic beauty where the church stood. We did not stop to knock at the outside door,—for Aunt Molly was very deaf, and if we had knocked our little knuckles off she would not have heard us,—but went in, and, passing along the passage, rapped at the door of the "common room," half sitting-room, half kitchen, and were admitted. Those who saw her for the first time, whether children or grown people, were generally afraid of her; for her voice, unmodulated, of course, by the ear, was naturally harsh, strong, and high-toned; and the sort of half laugh, half growl, that she uttered when pleased, might have suggested to an imaginative child the howl of a wolf. She had very large features, and sharp, penetrating black eyes, shaded by long, gray lashes, and surmounted by thick, bushy, gray eyebrows. I think that when she was scolding the school-boys, with those eyes fiercely "glowering" at them from under the shaggy gray thatch, she must have appeared to those who in their learned page had got as far as the Furies, like a living illustration of classic lore. Her cap and the make of her dress were peculiar, and suggestive of those days before, and at the time of, the Revolution, of which she loved to speak.
But we, her little favorites, were not afraid of her. To go into her garden in summer, and eat currants, larger and sweeter than any we found at home,—to look up at the enormous old damson-tree, when it was white with blossoms, and the rich honey-comb smell was diffused over the whole garden,—was a pleasant little excursion to us. She took great care and pains to save the plums from the plundering boys, because it was the only real damson there was anywhere in the neighborhood, and she found a ready sale for them, for preserves. She seemed to think that the real damsons went out with the real gentry of the olden time; and perhaps they did, as damsons, though, for aught I know, they may figure now in our fruit catalogues as "The Duke of Argyle's New Seedling Acidulated Drop of Damascus,"—which would be something like a translation of Damson into the modern terminology.
But more pleasant still was it to go into Aunt Molly's "best room." The walls she had papered herself, with curious stripes and odd pieces, of various shapes and patterns, ornamented with a border of figures of little men and women joining hands, cut from paper of all colors; and they were adorned, besides, with several prints in shining black frames. There was no carpet on the snow-white, unpainted floor, but various mats and rugs, of all the kinds into which ingenuity has transformed woollen rags, were disposed about it. The bed was the pride and glory of the room, however; for on it was spread a silk patchwork quilt, made of pieces of the brocade and damask and elegant silks, of which the ladies belonging to the grand old Tory families had their gowns and cardinals, and other paraphernalia, made. Aunt Molly had been a mantuamaker to the old "quality," and she could show us a piece of Madam Vassall's gown on that wonderful and brilliant piece of work, the bed-quilt. "On that hint" she would speak.
"A-haw-awr! They were real gentle folks that lived in them days. A-haw-awr! I declare, I could e'en-amost kneel down and kiss the very airth they trod on, as they went by my house to church. Polite, they wor! Yes, they knew what true politeness was; and to my thinking true politeness is next to saving grace."
Once a year, or so, Aunt Molly would dress up in her best gown, a black silk, trimmed with real black lace, and a real lace cap, relics of the good old days of Toryism and brocade and the real gentry, and go to make an afternoon visit to one of her neighbors. After the usual salutations, the lady would ask her visitor to take off her bonnet and stay the afternoon, knowing by the "rig" that such was her intention. But she liked to be urged a little, so she would say, "O, I only came out for a little walk, it was so pleasant, and stopped in to see how little Henry did, since his sickness. You know I always call him my boy." (Yes, Aunt Molly, the only boy in the universe that, for you, had any good in him.) After the proper amount of urging, she would lay aside her bonnet and black satin mantle, saying, "Well, I didn't come here to get my tea, but you are so urgent, I believe I will stay."
Aunt Molly's asides were often amusing. She was so very deaf that she could not hear her own voice, and often imagined she was whispering, when she could be heard across the room.