We may not linger here too long, so passing hence, we enter other and smaller chambers, along whose roofs we trace formations that resemble streams of water suddenly arrested in their flow and turned to ice. In another, a peculiarly shaped petrifaction presents a perfectly formed beet from one point of view, while from another it resembles a small elephant's head. Not far hence, a bell-shaped hollow, a beautiful combination of grotto and arcade, has received the name of "Julia's Bower."
Once more advancing, a narrow, low-roofed passage brings us into the most beautiful chamber of all, the
Crystal Chapel.
No language can suitably convey, nor any comparisons worthily suggest, the combined beauty and magnificence of this wonderful spot. "From the beginning," says Hutchings, "we have felt that we were almost presumptuous in attempting to portray these wonderful scenes, but, in hope of inducing others to see, with their natural eyes, the sights that we have seen, and enjoy the pleasure that we have enjoyed, we entered upon the task, even though inadequately, of giving an outline—nothing more. Here, however, we confess ourselves entirely at a loss.
"The sublime grandeur of this imposing sight fills the soul with astonishment that swells up from within as though its purpose was to make the beholder speechless, the language of silence being the most fitting and impressive when puny man treads the great halls of nature, the more surely to lead him, humbly, from these to the untold glory of the Infinite One who devised the laws, and superintended the processes that brought such wonders into being.
"After the mind seems prepared to examine this gorgeous spectacle somewhat in detail, we look upon the ceiling, if we may so speak, which is entirely covered with myriads of the most beautiful of stone icicles, long, large and brilliant; between these are squares or panels, the mullions and bars of which seem to be formed of diamonds; while the panels themselves resemble the frosting upon windows in the very depth of winter; and even those are of many colors, that most prevailing being of a light pinkish-cream. Moss, coral, floss, wool, trees, and many other forms, adorn the interstices between the larger of the stalactites. At the further end is one vast mass of rock, resembling congealed water, apparently formed into many folds and hillocks; in many instances connected by pillars with the roof above. Deep down and underneath this is the entrance by which we reached the chamber.
"At our right stands a large staglamite, dome-shaped at the top, and covered with beautifully undulating and wavy folds. Every imaginable gracefulness possible to the most curiously arranged drapery, is here visible, 'carved in alabaster' by the Great Architect of the universe. This is named 'The Pulpit.'
"In order to examine this object with more minuteness, a temporary platform has been erected, which, although detractive of the general effect, in our opinion, affords a nearer and better view of all these remarkable objects in detail.
"This spectacle, as well as the others, being brilliantly illuminated, the scene is very imposing, and reminds one of those highly-wrought pictures of the imagination, painted in such charming language and with such good effect in such works as the 'Arabian Nights.'
"Other apartments known as the 'Picture Gallery,' etc., might well detain us longer, but, as in many of their most important particulars, they bear a striking resemblance to those already described, we leave them for the tourist to examine for himself." If what we have said excites the desire of any tourist to visit this new combination of wonder and beauty, we are quite sure he will agree with us that the words of man utterly fail to adequately picture forth the works of God, and will ever after delight his soul with the life-long memory of his charming visit to the wonderful Alabaster Cave.