1897
J. Watson Armstrong, Esq.
Lady Angela Forbes
Mrs. Panmure Gordon
Hon. Mrs. Charles Harbord
Miss Beatrice Dudley Smith
The Marchioness of Headfort
Miss Audrey Battye
Lady Beatrix Taylour
Miss Rachel Duncombe
J. S. Forbes, Esq.

1898
Lady Maud Warrender
Lady de Trafford
Hon. Marie Hay
The Countess Mar and Kellie
Mrs. Brocklebank
The Viscountess Wolseley
Robertson Lawson, Esq.
Baron Königswarter
Baroness Königswarter
Miss Van Wart
Reginald Nicholson, Esq.
Lady Sybil Carden
The Countess of Lathom

1899
The Duchess of Bedford
Miss Eadith Walker (Australia)
The Countess of Wilton
The Viscountess Chelsea
Mrs. Duff
J. E. Ballie, Esq.
Lord Bolton
Lady Margaret Levett
Miss Howell
Basil Levett, Esq.
Mrs. Harcourt Powell
Lady Ampthill
J. & E. (Mr. and Mrs. Muller)
Bishop Lefroy of Lahore
Mrs. McCalmont
Miss Gabrielle de Montgeon

1900
Her Royal Highness Princess Victoria of Great Britain
The Earl of Lathom
The Duke of Beaufort
Hon. Mrs. Gervase Beckett
The Countess of Gosford
The Marchioness of Bath
Mrs. Lee Pilkington
Freda and Winifreda Armstrong
Mrs. Wernher
Miss Freda Villiers
Miss Muriel Dudley Smith
Lord Kenyon
Lady Savile Crossley
Hon. Hilda Chichester
Lady Dickson-Poynder
Sir John Dickson-Poynder
Gervase Beckett, Esq.
Canon Stanton
The Duke of Portland
Mrs. Alfred Harmsworth
Mrs. Arthur Wilson
J. Hutchinson, Esq.
Hon. Mrs. G. Kenyon
Captain Noble
Edward Hubbuck, Esq.
R. L. Foster, Esq.
Royal Naval and Military
Will Watson Armstrong
Masonic Supreme Council, 33° (Large and small)
The Earl of Shaftesbury
Miss Barclay (Wood block Armorial)
H. A. Harben, Esq.

1901
Ivor Fergusson, Esq.
Harold Harmsworth, Esq.
Lord Haddo
Lady Mary Cayley
Mrs. Sheridan (Frampton Court)
The Marchioness Anglesey
Sir Charles Cust
The Countess of Derby
Lady Hillingdon
Lady Alice Stanley
Lady Clementine Walsh
R. C. Donaldson-Hudson, Esq.

ROBERT ANNING BELL

Robert Anning Bell, Director of the Art School of the Liverpool University, is the most prolific designer of artistic picture-plates in Great Britain. His work has long been the envy of amateurs, and no collection can claim to be representative without some examples of his work. His book-plates have been reproduced and commented on in almost all published articles on the general subject. The book-plate number of the “Studio,” Simpson’s “Book of Book-plates,” Bowdoin’s “Rise of the Book-plate,” Zur Westen’s “Ex Libris” (Leipzig, 1901), all show examples. His work is characterized by dignity and grace, is in good drawing, and has an average of excellence unsurpassed. The list is complete to July 1, 1902.

1 Walter George Bell
2 Rainald William Knightley Goddard
3 G. R. Dennis
4 Barry Eric Odell Pain
5 Jane Patterson (circular)
6 Jane Patterson (rectangular)
7 Christabel A. Frampton
8 Frederick Brown
9 Matt. Gossett
10 Arthur Trevithin Nowell
11 Edward Priolean Warren
12 Frederick Leighton (small)
13 Frederick Leighton (large)
14 Arthur Melbourne Sutthery
15 Juliet Caroline Fox Pym
16 Yolande Sylvia Mina Noble Pym
17 Florence and William Parkinson
18 Nora Beatrice Dicksee
19 Felsted School
20 Arthur E. Bartlett
21 The Hon. Mabel de Grey
22 Geraldine, Countess of Mayo
23 Walter E. Lloyd
24 George Benjamin Bullock-Barker
25 George Benjamin Bullock-Barker
26 Thomas Elsley
27 University College, Liverpool
28 Rowland Plumbe
29 Rennell Rodd
30 Alicia, Lady Glomis
31 H. E. John Browne
32 Barham House
33 Cecil Rhodes
34 Mander Bros.
35 Hon. Harriet Borthwick
36 Beatrice Patterson
37 Walter Drew
38 Walter Raleigh
39 Théodule, Comte de Grammont
40 Joshua Sing
41 Alice Emma Wilkinson
42 James Easterbrook
43 Theodore Mander
44 W. H. Booth
45 Hector Munro, 1897
46 Margaret Wilton
47 L. and M. S.
48 Gardner S. Bazley
49 Ex Libris Sodalium Academicorum Apud Lyrpul
50 Roberti A. S. Macfie
51 Richard T. Beckett
52 Edmund Rathbone, 1898
53 Croy Grammont, 1898
54 A. J. Stratton
55 John Duncan
56 Helen Woollgar de Gaudrion Verrall
57 C. Kohn
58 C. J. R. Armandale
59 Wm. Renton Prior
60 H. and O. Lewis
61 Herbert Lyndon
62 Johanna Birkenruth
63 Fanny Dove Harriet Lister
64 Mary Josephine Stratton
65 Louise Frances Foster
66 Caleb Margerison
67 Ellis Roberts
68 Marie Clay
69 Fanny Nicholson
70 L. and E. Stokes
71 Alfred Cecil Gathorne Hardy

D. Y. CAMERON

D. Y. Cameron is one of the most prominent artists in the so-called “Glasgow School of Designers.” His plates are nearly all etchings and are decidedly his own in subjects and treatment. They are most excellent productions. His work has been most fully exploited in Simpson’s “Book of Book-plates,” Vol. I., No. 4. There are eleven designs listed in Fincham, and the “Studio” Book-plate number reproduces four.