That "whimsy" Mr. Rollins had reference to lies in many of B.R.'s more ephemeral efforts, frequently reproduced. It is reflected to a measure, by The Symbol and the Saint page. But there is considerably more than whimsy in the type ornament designs by B.R. These have graced dozens of books of varying subjects ... and the marvel of it all is, to me, that the man never repeats himself—he swings off on a new tack ... adventurous, exploring, mastering new trails, scattering typographic inspiration for dozens of others, pointing up paths they previously never even suspected.


Postscript, 1951: It is fitting to add a note concerning one of B.R.'s more distinguished recent projects, the great folio Bible designed for The World Publishing Company, which was four years in the making.

The design of the World Bible employed decorative treatment for the bordered title page, the sixty-six book openings, initial letters and numerous tailpieces. "These, together with the type selected

In discussing the matter of ornaments in the Bible with the publishers, B.R. revealed his thinking concerning their use: "... Most of the Books will probably not begin at the top of the page and the use of ornaments are to me necessary to separate the end of the preceding book from the title of the following one.

"The Bible has always been a book on which much decoration and illustrations have been lavished, and there is no reason in tradition why it should be treated solemnly in that respect. The very first edition (of which I have specimen sheets and a whole Bible printed from the same type and with the same decorations by the same printer, twenty-five years later, 1635) is just peppered with woodcut decorations and type ornaments. So we have a good precedent for a decorated treatment—if any were needed. You know the Bible is on the whole one of the most exciting texts in existence, and the modern 'practical' treatment of it as mainly a book of devotion is ignoble, to say the least...."

Some of the typographic decoration and initials used in the Bible are included here. William Targ's detailed account, The Making of the Bruce Rogers World Bible, contains most of the decorative elements—initials, tailpieces and chapter initials—and reveals the intimate story of the progress of the book's production through the four years. It was published by World in 1949, in a limited edition of 1875 copies, 500 of which were for sale.