BODONI BOOK was used for setting Harsh Words, pp. 321-336.
CALEDONIA, a contemporary Linotype face designed by W. A. Dwiggins, was inspired by the work of Scotch type-founders, in particular by a lighter weight, more slender transitional face cut by William Martin for Bulmer around 1790. Christened for its forebears, Caledonia resembles neither—though it has touches of both Bulmer's Martin and Wilson's Scotch, and also "something of the simple, hard-working, feet-on-the-ground quality of Scotch Modern."
CALEDONIA was used for setting Author and Printer: G.B.S. and R. & R.C., pp. 381-401.
CASLON, the great eighteenth-century English old style, has suffered more from "improvement and refinement" by succeeding generations of type founders than most celebrated types. A development based on Dutch models rather than an original creation, Caslon has been eloquently termed "the finest vehicle for the printed conveyance of English speech that the art of the punch-cutter has yet devised." Monotype's excellent rendering used here (No. 337) reflects the essential qualities of the original.
CASLON was used for setting Typographic Debut, pp. 78-82 and Metal-Flowers, pp. 83-84.