ARTICLES BY A. L. BALDRY
PAGE
British Marine Painting[9]
Notes on the Illustrations[24]
ILLUSTRATIONS IN COLOUR
Bayes, Walter, A.R.W.S.
The Timid Bather[113]
Brangwyn, Frank, R.A.
In Port[75]
Brooks, I. W.
In Cymyran Bay[129]
Constable, John, R.A.
Chesil Beach[39]
Cox, David
Calais Pier[49]
Everett, John
Breakers[119]
Fielding, Copley
Coast Scene[61]
Flint, W. Russell, R.W.S.
The Fane Islands[93]
Lavery, Sir John, A.R.A., R.S.A.
Evening—The Coast of Spain from Tangier[79]
Moore, Henry, R.A.
A Breezy Day[8]
Nevinson, C. R. W.
The Wave[123]
Pears, Charles
The Needles[107]
Simpson, Charles W., R.I., R.B.A.
Landing Fish[85]
Stanfield, W. Clarkson, R.A.
Coast Scene[55]
Turner, J. M. W., R.A.
Lowestoft[45]
Whistler, J. McNeill
Marine[69]
Wilkinson, Norman, R.I.
The Wave[101]
ILLUSTRATIONS IN MONOTONE
Allan, Robert W., R.W.S.
Off to the Fishing Grounds[84]
Allfree, G. S.
Motor Launches[127]
Bayes, Walter, A.R.W.S.
The Red Beach[112]
Brett, John, A.R.A.
From the Dorsetshire Cliffs[67]
Brooking, Charles
The Calm[35]
Brooks, I. W.
Coast Scene[128]
Coast Scene[131]
Brown, W. Marshall, A.R.S.A.
The Sea[109]
Burgess, Arthur J. W., R.I.
The Watch that never ends[116]
The Scarborough Fleet[117]
Chambers, George
Off Portsmouth[52]
Cooke, E. W., R.A.
Dutch Boats in a Calm[58]
Cotman, John Sell
A Galiot in a Storm[48]
Cox, E. A., R.B.A.
Elizabeth Castle, Channel Islands[134]
The Good Ship “Rose Elizabeth Novey”[135]
Crawford, E. T., R.S.A.
Closehauled, Crossing the Bar[59]
Draper, Herbert
Flying Fish[87]
Dyce, William, R.A.
Pegwell Bay, 1858[57]
Emanuel, Frank L.
The Ancient Port of Fêques[133]
Everett, John
The Deck of a Tea-Clipper in the Tropics[118]
Flint, W. Russell, R.W.S.
Passing Sails[95]
Hardy, T. B.
A Change of Wind: Boulogne Harbour[77]
Hawksworth, W. T. M., R.B.A.
Low Water, Penzance[125]
Hayes, Edwin, R.H.A., R.I.
Sunset at Sea: from Harlyn Bay, Cornwall[63]
Hemy, C. Napier, R.A., R.W.S.
A Boat Adrift[78]
Holloway, C. E.
The Wreck[68]
Hook, J. C., R.A.
The Seaweed Raker[71]
Hunter, Colin, A.R.A.
Farewell to Skye[73]
King, Cecil
H.M.S. “Wolsey” in the Ice at Libau[97]
Regatta Day at Appledore[98]
Knight, C. Parsons
The Kyles of Bute[65]
Lindner, Moffat, A.R.W.S.
The Storm-Cloud, Christchurch Harbour[91]
McBey, James
Margate[121]
McTaggart, William, R.S.A.
The Sounding Sea[74]
Moore, Henry, R.A.
A Break in the Cloud[72]
Morland, George
Fishermen Hauling in a Boat[37]
Müller, William J.
Dredging on the Medway[60]
Murray, Sir David, R.A., P.R.I., A.R.S.A.
The Fiend’s Weather[89]
Olsson, Julius, A.R.A.
The Night Wrack[110]
Heavy Weather in the Channel[111]
Pears, Charles
The Yacht Race[105]
The Examination[106]
Pyne, J. B.
Totland Bay[51]
Robertson, Tom
Where the Somme meets the Sea[90]
Smart, R. Borlase, R.B.A.
Wet Rocks, St. Ives[126]
Smith, Hely, R.B.A.
Windbound[104]
Somerscales, Thomas
Off Valparaiso[82]
Before the Gale[83]
Stanfield, W. Clarkson, R.A.
The Port of La Rochelle[53]
Entrance to the Zuider Zee, Texel Island[54]
Thomson of Duddingston, The Rev. John, R.S.A.
Fast Castle[47]
Tollemache, The Hon. Duff
Storm on the Cornish Coast[115]
Tuke, Henry S., R.A., R.W.S.
August Blue[88]
Turner, J. M. W., R.A.
The Shipwreck[41]
The Prince of Orange landing at Torbay, November 5, 1688[42]
Yacht Racing in the Solent[43]
Farne Island[44]
Wilkinson, Norman, R.I.
Etretat[99]
Plymouth Harbour[100]
Up Channel[103]
Williams, Terrick, R.I.
Clouds over the Sea, Holland[132]
Wilson, John H., R.S.A.
Seapiece[38]
Wyllie, W. L., R.A.
Blake’s Three Days Engagement with Van Tromp[81]

THE EDITOR DESIRES TO EXPRESS
HIS THANKS TO THE ARTISTS, COL-
LECTORS, AND THE AUTHORITIES
OF PUBLIC GALLERIES WHO
HAVE KINDLY ASSISTED HIM IN THE
PREPARATION OF THIS VOLUME BY
PERMITTING THEIR PICTURES TO BE
REPRODUCED. THEIR NAMES AP-
PEAR UNDER THE ILLUSTRATIONS

“A BREEZY DAY.” BY HENRY MOORE, R.A.

(In the possession of the Right Hon. Lord Leverhulme)

BRITISH MARINE PAINTING

TO most people it will seem quite natural that British artists should give much attention to marine painting. The sea plays a very important part in our national affairs, influences the character of the people, and affects the political policy of the country, so almost as a matter of course it has its place among the sources of inspiration for our native art. Sea painters of the higher rank have come with scarcely an exception from countries which have an extended coast-line and in which the seafaring habit has been developed by centuries of maritime activity—countries in which the use of the sea for purposes of commerce or communication has been a necessity. Dutch artists have painted the sea and shipping and incidents in the life of the dwellers on the coast with skill and distinction; there have been sea painters in Denmark, Norway, and Sweden, some in France, a few in Italy and Spain; but it is in the British Isles most of all that the possibilities of marine painting have been recognized and the pictorial material that the sea provides has been turned to full account.