Mr. Simpson also has been kind enough to show me drawings of bas-reliefs he discovered in Afghanistān, two of which I have been able to identify as illustrations of the Sumedha Jātaka (below, p. 11-13), and another as illustrative of the scene described below on pp. 125, 126.
THE NIDĀNAKATHĀ
OR
THE THREE EPOCHS.
[vv. 1-11.] The Apannaka and other Births, which in times gone by were recounted on various occasions by the great illustrious Sage, and in which during a long period our Teacher and Leader, desirous of the salvation of mankind, fulfilled the vast conditions of Buddhahood,[118] were all collected together and added to the canon of Scripture by those who made the recension of the Scriptures, and rehearsed by them under the name of THE JĀTAKA. Having bowed at the feet of the Great Sage, the lord of the world, by whom in innumerable existences[119] boundless benefits were conferred upon mankind, and having paid reverence to the Law, and ascribed honour to the Clergy, the receptacle of all honour; and having removed all dangers by the efficacy of that meritorious act of veneration and honour referring to the Three Gems, I proceed to recite a Commentary upon this Jātaka, illustrating as it does the infinite efficacy of the actions of great men—a commentary based upon the method of exposition current among the inmates of the Great Monastery. And I do so at the personal request of the elder Atthadassin, who lives apart from the world and ever dwells with his fraternity, and who desires the perpetuation of this chronicle of Buddha; and likewise of Buddhamitta the tranquil and wise, sprung from the race of Mahimsāsaka, skilled in the canons of interpretation; and moreover of the monk Buddhadeva of clear intellect. May all good men lend me their favourable attention while I speak![120]
Inasmuch as this comment on the Jātaka, if it be expounded after setting forth the three Epochs, the distant, the middle, and proximate, will be clearly understood by those who hear it by being understood from the beginning, therefore I will expound it after setting forth the three Epochs. Accordingly from the very outset it will be well to determine the limits of these Epochs. Now the narrative of the Bodhisatta’s existence, from the time that at the feet of Dīpankara he formed a resolution to become a Buddha to his rebirth in the Tusita heaven after leaving the Vessantara existence, is called the Distant Epoch. From his leaving the Tusita heaven to his attainment of omniscience on the throne of Knowledge, the narrative is called the Intermediate Epoch. And the Proximate Epoch is to be found in the various places in which he sojourned (during his ministry on earth). The following is
THE DISTANT EPOCH.
Tradition tells us that four asankheyyas[121] and a hundred thousand cycles ago there was a city called Amaravatī. In this city there dwelt a brahmin named Sumedha, of good family on both sides, on the father’s and the mother’s side, of pure conception for seven generations back, by birth unreproached and respected, a man comely, well-favoured and amiable, and endowed with remarkable beauty. He followed his brahminical studies without engaging in any other pursuit. His parents died while he was still young. A minister of state, who acted as steward of his property, bringing forth the roll-book of his estate, threw open the stores filled with gold and silver, gems and pearls, and other valuables, and said, “So much, young man, belonged to your mother, so much to your father, so much to your grandparents and great-grandparents,” and pointing out to him the property inherited through seven generations, he bade him guard it carefully. The wise Sumedha thought to himself, “After amassing all this wealth my parents and ancestors when they went to another world took not a farthing with them, can it be right that I should make it an object to take my wealth with me when I go?” And informing the king of his intention, he caused proclamation to be made[122] in the city, gave largess to the people, and embraced the ascetic life of a hermit.
To make this matter clear the Story of Sumedha must here be related. This story, though given in full in the Buddhavamsa, from its being in a metrical form, is not very easy to understand. I will therefore relate it with sentences at intervals explaining the metrical construction.
Four asankheyyas and a hundred thousand cycles ago there was a city called Amaravatī or Amara, resounding with the ten city cries, concerning which it is said in Buddhavamsa,
12. Four asankheyyas and a hundred thousand cycles ago