Art she had none, yet wanted none,
For Nature did that want supply:
So rich in treasures of her own,
She might our boasted stores defy:
Such noble vigour did her verse adorn,
That it seem'd borrow'd, where 'twas only born.
Her morals, too, were in her bosom bred,
By great examples daily fed,
What in the best of books, her father's life, she read.
And to be read herself she need not fear;
Each test, and every light, her Muse will bear,
Though Epictetus with his lamp were there.
Even love (for love sometimes her Muse exprest)
Was but a lambent flame which play'd about her breast,
Light as the vapours of a morning dream;
So cold herself, whilst she such warmth exprest,
'Twas Cupid bathing in Diana's stream….
Now all those charms, that blooming grace,
The well-proportion'd shape, and beauteous face,
Shall never more be seen by mortal eyes;
In earth the much-lamented virgin lies.
Not wit, nor piety could fate prevent;
Nor was the cruel destiny content
To finish all the murder at a blow,
To sweep at once her life and beauty too;
But, like a harden'd felon, took a pride
To work more mischievously slow,
And plunder'd first, and then destroy'd.
O double sacrilege on things divine,
To rob the relic, and deface the shrine!
But thus Orinda died:
Heaven, by the same disease, did both translate;
As equal were their souls, so equal was their fate.
Meantime, her warlike brother on the seas
His waving streamers to the winds displays,
And vows for his return, with vain devotion, pays.
Ah, generous youth! that wish forbear,
The winds too soon will waft thee here!
Slack all thy sails, and fear to come,
Alas, thou know'st not, thou art wreck'd at home!
No more shalt thou behold thy sister's face,
Thou hast already had her last embrace.
But look aloft, and if thou kenn'st from far,
Among the Pleiads a new kindl'd star,
If any sparkles than the rest more bright,
'Tis she that shines in that propitious light.
When in mid-air the golden trump shall sound,
To raise the nations under ground;
When, in the Valley of Jehoshaphat,
The judging God shall close the book of Fate,
And there the last assizes keep
For those who wake and those who sleep;
When rattling bones together fly
From the four corners of the sky;
When sinews o'er the skeletons are spread,
Those cloth'd with flesh, and life inspires the dead;
The sacred poets first shall hear the sound,
And foremost from the tomb shall bound,
For they are cover'd with the lightest ground;
And straight, with inborn vigour, on the wing,
Like mounting larks, to the new morning sing.
There thou, sweet Saint, before the quire shalt go,
As harbinger of Heaven, the way to show,
The way which thou so well hast learn'd below.
John Dryden. 1631-1700
399. A Song for St. Cecilia's Day, 1687
FROM harmony, from heavenly harmony,
This universal frame began:
When nature underneath a heap
Of jarring atoms lay,
And could not heave her head,
The tuneful voice was heard from high,
'Arise, ye more than dead!'
Then cold, and hot, and moist, and dry,
In order to their stations leap,
And Music's power obey.
From harmony, from heavenly harmony,
This universal frame began:
From harmony to harmony
Through all the compass of the notes it ran,
The diapason closing full in Man.
What passion cannot Music raise and quell?
When Jubal struck the chorded shell,
His listening brethren stood around,
And, wondering, on their faces fell
To worship that celestial sound:
Less than a God they thought there could not dwell
Within the hollow of that shell,
That spoke so sweetly, and so well.
What passion cannot Music raise and quell?
The trumpet's loud clangour
Excites us to arms,
With shrill notes of anger,
And mortal alarms.
The double double double beat
Of the thundering drum
Cries Hark! the foes come;
Charge, charge, 'tis too late to retreat!
The soft complaining flute,
In dying notes, discovers
The woes of hopeless lovers,
Whose dirge is whisper'd by the warbling lute.