I, WITH whose colours Myra dress'd her head,
I, that ware posies of her own hand-making,
I, that mine own name in the chimneys read
By Myra finely wrought ere I was waking:
Must I look on, in hope time coming may
With change bring back my turn again to play?
I, that on Sunday at the church-stile found
A garland sweet with true-love-knots in flowers,
Which I to wear about mine arms was bound
That each of us might know that all was ours:
Must I lead now an idle life in wishes,
And follow Cupid for his loaves and fishes?
I, that did wear the ring her mother left,
I, for whose love she gloried to be blamed,
I, with whose eyes her eyes committed theft,
I, who did make her blush when I was named:
Must I lose ring, flowers, blush, theft, and go naked,
Watching with sighs till dead love be awaked?
Was it for this that I might Myra see
Washing the water with her beauty's white?
Yet would she never write her love to me.
Thinks wit of change when thoughts are in delight?
Mad girls may safely love as they may leave;
No man can print a kiss: lines may deceive.
chimneys] cheminees, chimney-screens of tapestry work. deceive] betray.
Thomas Lodge. 1556?-1625
97. Rosalind's Madrigal
LOVE in my bosom like a bee
Doth suck his sweet:
Now with his wings he plays with me,
Now with his feet.
Within mine eyes he makes his nest,
His bed amidst my tender breast;
My kisses are his daily feast,
And yet he robs me of my rest:
Ah! wanton, will ye?
And if I sleep, the percheth he
With pretty flight,
And makes his pillow of my knee
The livelong night.
Strike I my lute, he tunes the string;
He music plays if so I sing;
He lends me every lovely thing,
Yet cruel he my heart doth sting:
Whist, wanton, still ye!
Else I with roses every day
Will whip you hence,
And bind you, when you long to play,
For your offence.
I'll shut mine eyes to keep you in;
I'll make you fast it for your sin;
I'll count your power not worth a pin.
—Alas! what hereby shall I win
If he gainsay me?