He is therein mentioned as A.F., gentleman, the last word being written over an erasure, and it has been thought by some, that an epithet not so complimentary had previously been placed there, but erased, and "gentleman" substituted. I see no reason for such a suggestion; possibly some latin term may originally have been written, e.g., "miles," and the English word "gentleman" was thought more appropriate. At any rate, Anthony Forster was buried at Cumnor, Nov. 10th, 1572. Cumnor Place, Forster's residence, was an early fourteenth century house, used as a residence by the Abbots of Abingdon, and also as a place of removal or sanitorium by the monks, particularly during the plague, or black death, which decimated England under Edward III. At this period, it served both as rectory and manse house, where tithe and rents were paid, and Manorial Courts held, and where tenants were bound to attend to do suit and service for their lands to their superior lords. Such was Cumnor Place, until the dissolution of the monasteries by Henry VIII. In 1538, it was granted for life by the Crown to Thomas Pentecost or Rowland, last Abbot of Abingdon, in consideration of his having willingly surrendered the Abbey and its possessions to the King. Rowland either died the following year or ceded Cumnor Place to the King, who seems to have retained possession for seven years, when, by patent, dated Windsor, Oct. 8th, 1546, the Lordship, Manor, and rectorial tithes of Cumnor, with all its rights and appurtenances, particularly the Capital Messuage, Cumnor Place, and the close adjoining, called the Park, and three closes called Saffron Plottye, etc., were granted to George Owen, Esq., the King's physician, and to John Bridges, doctor in physic, in consideration of two closes in St. Thomas' parish, Oxford, the site of Rowley Abbey, and the sum of £310 12s. 9d., cash. William Owen, son of Dr. Owen, married, April 24th, 1558, Ursula, daughter of Alexander Fettiplace, the estate being then settled upon him. Shortly afterwards, Cumnor Place was leased to Anthony Forster, and it was in his occupation when occurred the tragic incident which forms the concluding scene in Sir Walter Scott's Kenilworth, the death of Amy Robsart, wife of Sir Robert Dudley, afterwards Earl of Leicester.
In the following year, Anthony Forster purchased the property from Owen, and seems to have greatly enlarged and otherwise improved the mansion. Dying in November, 1572, he devised the estate to Dudley, subject to a payment of £1,200 to Forster's heirs. These conditions, its seems the Earl accepted, but retained possession for a single year only, as is proved by a document among the Longleat papers purporting to be a record of the sale of Cumnor by the Earl of Leicester, to Harry le Norris, ancestor of the Earls of Abingdon, which bears date 15th February, 16th Elizabeth, 1575.
From this time Cumnor seems to have gradually fallen into decay. Possibly the sad end of Lady Dudley may have contributed to this; at all events, rumours were spread among the villagers that her ghost haunted the locality, and a tradition is even yet received by them that her spirit was so unquiet that it required nine parsons from Oxford to lay the ghost, which they at last effectually did, in a pond hard by, the water in which does not freeze it is said, even in the most severe winter. This pond is still shown by the villagers, although they are quite unable to assign any reason for the peculiar conduct of the ghost.
Neglected for nearly a hundred years, a portion of the ruined mansion was then converted into a malthouse, afterwards into labourer's dwellings, and finally demolished in 1810, for the purpose of rebuilding Wytham Church. Among other mementoes of its former owner was an arch bearing upon the label the inscription "Janua Vitæ Verbum Domini. Anthonius Forster, 1575." This, with some handsome tracery windows, was removed to Wytham, the arch being built into the entrance wall of the churchyard. The date and name were for some reason destroyed, possibly to evade an apparent anachronism, for Anthony Forster had been dead two years in 1575. These windows and other objects of interest were engraved in the Gentleman's Magazine for 1821.
It is said and I believe truly, that so great interest was excited in Cumnor Place, by Sir W. Scott's novel, that the Earl of Abingdon was induced to drive some visitors from Wytham to see the ruins, forgetting that some years previously he had given order for their demolition. The disappointment of the party on arriving upon the ground was great, as may be imagined, and not less so that of the Earl, who too late realized his mistake. The disappointment was felt by everybody, for it is said all the world hastened to the site of the tragedy so graphically described by Scott, only to find they were too late. The public was not then aware that its sympathies had been aroused by the vivid imagination and marvellous genius of the novelist, and that while there was just a substratum of fact the greater portion of this historical novel had no foundation other than the great constructive power of the Author. While thousands deplored the untimely fate of Amy Robsart, their sympathies were in truth tributes to the dramatic powers of the novelist, not to the unfortunate heroine; the novel may be said to bristle with chronological inaccuracies, and utter disregard for historic fact.
It has been repeatedly reasoned that novelists should be permitted a certain licence, and in actual fiction this may possibly be; but if the subject and characters chosen are both historical, misconceptions may easily arise, and erroneous statements be indelibly impressed upon the mind of the reader. Let us recall to our memories the outline of Kenilworth, and then notice some of Scott's most glaring historical inaccuracies and anachronisms, and while I have no intention of attempting a defence for Robert Dudley and his followers, for the crime here alleged to have been committed, I believe I shall be able to show that he was, in this instance at any rate, greatly maligned.
The plot in brief is as follows:—Robert Dudley, Earl of Leicester, son of the Duke of Northumberland, who had been executed for endeavouring to place Lady Jane Grey upon the throne, having secretly married Amy Robsart, desires to be free, and confides his wishes to his retainers, Richard Varney and Anthony Forster. The Countess, who was living in retirement at Cumnor Place, hearing of the festivities given by her husband at Kenilworth, goes secretly there, and has a most affecting interview with Queen Elizabeth, in the course of which the Queen bitterly reproaches Leicester. At length, by specious promises, he prevails upon Amy to return to Cumnor, arranging to come to her as soon as liberated from his attendance upon the Queen. She complies, and is assigned by Forster a portion of the building approached only by a drawbridge in which is concealed a trap-door. At night Varney, riding hastily into the courtyard, gives the Earl's private signal—a peculiar whistle—on hearing which Amy rushes out to meet her husband; but Forster having meanwhile withdrawn the bolts, she falls through the trap. "A faint groan and all is over." Immediate punishment overtakes the criminals. Varney is arrested, but poisons himself in his cell, while Forster, in his hasty endeavour to escape, closes behind him a secret door, and dies a lingering death.
Scott tells us in later editions of Kenilworth (the first was published in 1821), that he based his story upon a beautiful ballad by W.J. Mickle, the translator of Camoens Lusiad, which had deeply impressed him; and Ashmole's Antiquities of Berkshire is cited at length by him as the principal authority upon which the novel was based. But Ashmole was in this instance only a copyist, and his antiquities were not published until 1717, nearly 160 years after Lady Dudley's death. He copied almost verbatim from a most scurrillous work called "Leicester's Commonwealth," published in 1584 for political purposes, known subsequently as "Father Parson's Green Coat," from the colour of the wrapper in which it was introduced from abroad by its author the celebrated Jesuit, Robert Parsons, although the authorship has been attributed to Cecil, Lord Burleigh. It was issued at first in MSS., and eight MS. copies are preserved in the British Museum, and two in the Bodleian. Sir Philip Sidney immediately issued a hasty answer to these charges against his relative, but this was not actually printed until 1746, and had but little effect at the time.
"Leicester's Commonwealth" was no sooner in circulation than the attention of Government was directed to it, and it was stigmatised by the Queen and Privy Council as "most malicious, false, and scandalous, and such as none but an incarnate devil could dream to be true." Without attempting a defence of Leicester, the character of his defamer may assist in forming a judgement how far any of his statements may be received, bearing in mind that both in religion and politics he was antagonistic to the Earl.
Of obscure, if not questionable birth, Parsons was educated in the reformed religion at Balliol College, Oxford, at the expense of his putative father. There he quickly rose to the position of dean and bursar, but was compelled to resign these appointments in order to avoid expulsion for incontinence and embezzlement of college funds. Quitting England for Rome, he then adopted the Romish faith and became a member of the Society of Jesus. Next, visiting Spain, he was most active in urging the Spanish King to despatch the Invincible Armada, and, after its destruction, used all his influence to promote a second invasion. A bold, clever, intriguing, and unscrupulous traitor, he is known to have even contemplated the assassination of Queen Elizabeth, and by his writings to have supported the claims of the Spanish Infanta against King James to the English throne. Such was the man, who did not hesitate to hurl broadcast accusations of the most atrocious character against his opponents, sheltering himself meanwhile abroad from the prosecution his many infamies deserved. To this man principally are traced the calumnies upon Leicester, Varney, and Forster, which have been so unfortunately perpetuated in "Kenilworth."