In 1626--year of the death of Francis Bacon--appeared "Cures for the Itch; Characters, Epigrams, Epitaphs by H. P." with the motto "Scalpat qui Tangitur." H. P. was read by Philip Bliss into Henry Parrot, who published a collection of epigrams in 1613, as "Laquei Ridiculosi, or Springes for Woodcocks." The Characters in this little volume are of a Ballad Maker, a Tapster, a Drunkard, a Rectified Young Man, a Young Novice's New Younger Wife, a Common Fiddler, a Broker, a Jovial Good Fellow, a Humourist, a Malapert Young Upstart, a Scold, a Good Wife, and a Self-Conceited Parcel-Witted Old Dotard.
A SCOLD
Is a much more heard of, than least desired to be seen or known, she-kind of serpent; the venomed sting of whose poisonous tongue, worse than the biting of a scorpion, proves more infectious far than can be cured. She's of all other creatures most untameablest, and covets more the last word in scolding than doth a combater the last stroke for victory. She loudest lifts it standing at her door, bidding, with exclamation, flat defiance to any one says black's her eye. She dares appear before any justice, nor is least daunted with the sight of constable, nor at worst threatenings of a cucking-stool. There's nothing mads or moves her more to outrage than but the very naming of a wisp, or if you sing or whistle when she is scolding. If any in the interim chance to come within her reach, twenty to one she scratcheth him by the face; or do but offer to hold her hands, she'll presently begin to cry out murder. There's nothing pacifies her but a cup of sack, which taking in full measure of digestion, she presently forgets all wrongs that's done her, and thereupon falls straight a-weeping. Do but entreat her with fair words, or flatter her, she then confesseth all her imperfections, and lays the guilt upon her maid. Her manner is to talk much in her sleep, what wrongs she hath endured of that rogue her husband, whose hap may be in time to die a martyr; and so I leave them.
A GOOD WIFE
Is a world of happiness, that brings with it a kingdom in conceit, and makes a perfect adjunct in society; she's such a comfort as exceeds content, and proves so precious as cannot be paralleled, yea more inestimable than may be valued. She's any good man's better second self, the very mirror of true constant modesty, the careful housewife of frugality, and dearest object of man's heart's felicity. She commands with mildness, rules with discretion, lives in repute, and ordereth all things that are good or necessary. She's her husband's solace, her house's ornament, her children's succour, and her servant's comfort. She's (to be brief) the eye of wariness, the tongue of silence, the hand of labour, and the heart of love. Her voice is music, her countenance meekness, her mind virtuous, and her soul gracious. She's a blessing given from God to man, a sweet companion in his affliction, and joint-copartner upon all occasions. She's (to conclude) earth's chiefest paragon, and will be, when she dies, heaven's dearest creature.
In 1629 appeared sixteen pieces in fifty-six pages entitled "Micrologia, Characters or Essayes, of Persons, Trades, and Places, offered to the City and Country, by R. M." There was an "R. M." who wrote from the coast of Guiana in November 1817 "Newes of Sir W. Raleigh. With the true Description of Guiana: as also relation of the excellent Government, and much hope of the prosperity of the Voyage. Sent from a gentleman of his Fleet (R. M.) to a most especiall Friend of his in London. From the River of Caliana on the Coast of Guiana, Novemb. 17, 1617," published in 1618. The Characters of Persons and Trades in "Micrologia" are: a Fantastic Tailor, a Player, a Shoemaker, a Ropemaker, a Smith, a Tobacconist, a Cunning Woman, a Cobbler, a Tooth-drawer, a Tinker, a Fiddler, a Cunning Horse-Courser; and of Places, Bethlem, Ludgate, Bridewell, Newgate.
This is R. M.'s character of a Player--
PLAYER
Is a volume of various conceits or epitome of time, who by his representation and appearance makes things long past seem present. He is much like the counters in arithmetic, and may stand one while for a king, another while a beggar, many times as a mute or cipher. Sometimes he represents that which in his life he scarce practises--to be an honest man. To the point, he oft personates a rover, and therein conies nearest to himself. If his action prefigure passion, he raves, rages, and protests much by his painted heavens, and seems in the height of this fit ready to pull Jove out of the garret where perchance he lies leaning on his elbows, or is employed to make squibs and crackers to grace the play. His audience are oftentimes judicious, but his chief admirers are commonly young wanton chambermaids, who are so taken with his posture and gay clothes, they never come to be their own women after. He exasperates men's enormities in public view, and tells them their faults on the stage, not as being sorry for them, but rather wishes still he might find more occasions to work on. He is the general corrupter of spirits yet untainted, inducing them by gradation to much lascivious depravity. He is a perspicuity of vanity in variety, and suggests youth to perpetrate such vices as otherwise they had haply ne'er heard of. He is (for the most part) a notable hypocrite, seeming what he is not, and is indeed what he seems not. And if he lose one of his fellow strolls, in the summer he turns king of the gipsies; if not, some great man's protection is a sufficient warrant for his peregrination, and a means to procure him the town-hall, where he may long exercise his qualities with clown-claps of great admiration, in a tone suitable to the large ears of his illiterate auditory. He is one seldom takes care for old age, because ill diet and disorder, together with a consumption or some worse disease taken up in his full career, have only chalked out his catastrophe but to a colon; and he scarcely survives to his natural period of days.