Here lies old Hobson. Death hath broke his girt,
And here, alas, hath laid him in the dirt;
Or else, the ways being foul, twenty to one
He's here stuck in a slough, and overthrown.
'Twas such a shifter that, if truth were known,
Death was half glad when he had got him down;
For he had any time this ten years full
Dodged with him betwixt Cambridge and The Bull,
And surely Death could never have prevailed
Had not his weekly course of carriage failed:
But lately, finding him so long at home,
And thinking now his journey's end was come,
And that he had ta'en up his latest inn,
In the kind office of a chamberlin
Showed him his room where he must lodge that night,
Pulled off his boots, and took away the light.
If any ask for him, it shall be said,
"Hobson has supped, and's newly gone to bed."
ANOTHER ON THE SAME.
Here lieth one that did most truly prove
That he could never die while he could move;
So hung his destiny, never to rot
While he might still jog on and keep his trot;
Made of sphere-metal, never to decay
Until his revolution was at stay.
Time numbers motion, yet (without a crime
'Gainst old truth) motion numbered out his time;
And, like an engine moved with wheel and weight,
His principles being ceased, he ended straight.
Rest, that gives all men life, gave him his death,
And too much breathing put him out of breath;
Nor were it contradiction to affirm
Too long vacation hastened on his term.
Merely to drive the time away he sickened,
Fainted, and died, nor would with ale be quickened.
"Nay," quoth he, on his swooning-bed outstretched,
"If I mayn't carry, sure I'll ne'er be fetched,
But vow, though the cross doctors all stood hearers,
For one carrier put down to make six bearers."
Ease was his chief disease; and, to judge right,
He died for heaviness that his cart went light.
His leisure told him that his time was come,
And lack of load made his life burdensome,
That even to his last breath (there be that say't)
As he were pressed to death, he cried. "More weight!"
But, had his doings lasted as they were,
He had been an immortal carrier.
Obedient to the moon he spent his date
In course reciprocal, and had his fate
Linked to the mutual flowing of the seas;
Yet (strange to think) his wain was his increase.
His letters are delivered all and gone,
Only remains the superscription.
How very sure we should all be that Milton did not write these pieces, if he had not given them a place among his published works! Returning to the crowd of Character-writers we find in 1631, the year of Milton's writing upon Hobson,
WYE SALTONSTALL,
author of "Pictures Loquentes, or Pictures drawn forth in Characters. With a Poeme of a Maid" The poem of a Maid was, of course, suggested by the fact that Sir Thomas Overbury's Characters had joined to them the poem of a Wife. There was a second edition in 1635. Saltonstall's Characters were the World, an Old Man, a Woman, a Widow, a True Lover, a Country Bride, a Ploughman, a Melancholy Man, a Young Heir, a Scholar in the University, a Lawyers Clerk, a Townsman in Oxford, an Usurer, a Wandering Rogue, a Waterman, a Shepherd, a Jealous Man, a Chamberlain, a Maid, a Bailey, a Country Fair, a Country Ale-house, a Horse Race, a Farmer's Daughter, a Keeper, a Gentleman's House in the Country; to which he added in the second edition, a Fine Dame, a Country Dame, a Gardener, a Captain, a Poor Village, a Merry Man, a Scrivener, the Term, a Mower, a Happy Man, an Arrant Knave, and an Old Waiting Gentlewoman. This is one of his Characters as quoted by Philip Bliss in the Appendix to his edition of Earle--
THE TERM
Is a time when Justice keeps open court for all comers, while her sister Equity strives to mitigate the rigour of her positive sentence. It is called the term, because it does end and terminate business, or else because it is the Terminus ad quem, that is, the end of the countryman's journey, who comes up to the term, and with his hobnail shoes grinds the faces of the poor stones, and so returns again. It is the soul of the year, and makes it quick, which before was dead. Innkeepers gape for it as earnestly as shell-fish do for salt water after a low ebb. It sends forth new books into the world, and replenishes Paul's Walk with fresh company, where Quid novi? is their first salutation, and the weekly news their chief discourse. The taverns are painted against the term, and many a cause is argued there and tried at that bar, where you are adjudged to pay the costs and charges, and so dismissed with "welcome, gentlemen." Now the city puts her best side outward, and a new play at the Blackfriars is attended on with coaches. It keeps watermen from sinking, and helps them with many a fare voyage to Westminster. Tour choice beauties come up to it only to see and be seen, and to learn the newest fashion, and for some other recreations. Now many that have been long sick and crazy begins to stir and walk abroad, especially if some young prodigals come to town, who bring more money than wit. Lastly, the term is the joy of the city, a dear friend to countrymen, and is never more welcome than after a long vacation.
We have also, in 1632, "London and Country Carbonadoed and Quartered into Several Characters" by Donald Lupton; in 1633, the "Character of a Gentleman" appended to Brathwaif's "English Gentleman;" in 1634, "A strange Metamorphosis of Man, transformed into a Wilderness, Deciphered in Characters" of which this is a specimen:--