His style is very constant, for it keeps still the former aforesaid; and yet it seems he is much troubled in it, for he is always humbly complaining--your poor orator. First edit.
"To moote, a term vsed in the innes of the court; it is the handling of a case, as in the Vniuersitie their disputations," &c. So Minshew, who supposes it to be derived from the French, mot, verbum, quasi verba facere, aut sermonem de aliqua re habere. Mootmen are those who, having studied seven or eight years, are qualified to practise, and appear to answer to our term of barristers.
The prologue to our ancient dramas was ushered in by trumpets. "Present not yourselfe on the stage (especially at a new play) untill the quaking prologue hath (by rubbing) got cullor into his cheekes, and is ready to giue the trumpets their cue that hee's vpon point to enter."--Decker's Gul's Hornbook, 1609, p. 30. "Doe you not know that I am the Prologue? Do you not see this long blacke veluet cloke vpon my backe? Haue you not sounded thrice?"--Heywood's Foure Prentises of London, 4to, 1615.
St. Paul's Cathedral was, during the reigns of Elizabeth and James, a sort of exchange and public parade, where business was transacted between merchants, and where the fashionables of the day exhibited themselves. The reader will find several allusions to this custom in the variorum edition of Shakspeare, K. Henry IV., part 2. Osborne, in his Traditional Memoires on the Reigns of Elisabeth and James, 12mo, 1658, says, "It was the fashion of those times (James I.) and did so continue till these, (the interregnum,) for the principal gentry, lords, courtiers, and men of all professions, not merely mechanicks, to meet in St. Paul's church by eleven, and walk in the middle isle till twelve, and after dinner from three to six; during which time some discoursed of business, others of news." Weever complains of the practice, and says, "it could be wished that walking in the middle isle of Paul's might be forborne in the time of diuine service." Ancient Funeral Monuments, 1631, page 373.
In the Dramatis Personal to Ben Jonson's Every Man in his Humour, Bobadil is styled a Paul's man; and Falstaff tells us that he bought Bardolph in Pauls. King Henry IV., part 2.