proses 10 and 11, where 'perfection' is represented by suffisaunce, as, e.g., in iii. pr. 11. l. 18.
50. Aristotle's Metaphysics begins with the words: πάντες ἄνθρωποι τοῦ ἐιδέναι ὀρέγονται φύσει, all men by nature are actuated by the desire of knowledge. The reference to this passage is explicitly given in the Romans of Partenay, ll. 78-87; and it was doubtless a much worn quotation. And see l. 64 below.
58. sightful and knowing, visible and capable of being known.
61. David. The whole of this sentence is so hopelessly corrupt that I can but give it up. Possibly there is a reference to Ps. cxxxix. 14. me in makinge may be put for 'in makinge me.' Tune is probably a misprint for time; lent may be an error for sent; but the whole is hopelessly wrong.
64. Apparently derived from Aristotle, De Animalibus, bk. i. c. 5. The general sense is that created things like to know both their creator and the causes of natural things akin to them (ὀικεῖα).
67. Considred; i.e. the forms of natural things and their creation being considered, men should have a great natural love to the Workman that made them.
68. me is frequently written for men, the unemphatic form of man, in the impersonal sense of 'one' or 'people'; thus, in King Horn, ed. Morris, 366, 'ne recche i what me telle' means 'I care not what people may say.' Strict grammar requires the form him for hem in l. 69, as me is properly singular; but the use of hem is natural enough in this passage, as me really signifies created beings in general. Cf. me in ch. i. l. 18 below.
80. Styx is not 'a pit,' but a river. The error is Chaucer's; cf. 'Stix, the put of helle,' in Troil. iv. 1540. Observe the expression—'Stygiamque paludem'; Vergil, Aen. vi. 323.
86. I. e. 'rend the sword out of the hands of Hercules, and set Hercules' pillars at Gades a mile further onward.' For the latter allusion, see Ch. vol. ii. p. lv; it may have been taken from Guido delle Colonne. And see Poem VIII (below), l. 349. Gades, now Cadiz.
89. the spere, the spear. There seems to be some confusion here. It was King Arthur who drew the magic sword out of the stone, after 150 knights had failed in the attempt: see Merlin, ed. Wheatley (E. E. T. S.), pp. 100-3. Alexander's task was to untie the Gordian knot.