Their very finery seems freshened and rejuvenated by the sound, and so do the waistcoats of cloth-of-gold, the brocaded coats and diamond-buckled shoes. The panels themselves seem to awake. The old mirror, scratched and dim, which has stood encased in the wall for over two hundred years, recognizes them all, glows softly upon them, showing them their own images with a pale vagueness like a tender regret.
In the midst of all this elegance M. Majesté feels somewhat ill at ease. He is huddled in a corner, and looks on from behind a case of bottles. But gradually the day dawns. Through the glass doors of the store one can see the court growing light, then the top of the windows, then all one side of the great parlor. Before the light of day the figures melt and disappear. The four little violinists alone are belated in a corner; and M. Majesté watches them evaporate as the daylight creeps upon them. In the court below he can just see the vague form of a sedan-chair, a powdered head sprinkled with emeralds, and the last spark of a torch that a lackey has dropped on the pavement, and which blends with the sparks from the wheels of a dray, rumbling in noisily through the open portals.
THE PRINCESS AND THE RAGAMUFFIN.
From the Spanish of Benito Pérez Galdós.
I.
Pacorrito Migajas was a great character. He stood a trifle over two feet from the ground, and had just turned his seventh year. His skin was tanned by the sun and the wind, and his wizened face suggested a dwarf rather than a child. His eyes, adorned with long eyelashes that looked like black wires, were full of vitality and resplendent with mischief. His mouth was amazing in its ugliness; and his ears, strangely like those of a faun, seemed to have been attached to his face, rather than to have grown there. He was dressed in a shirt of every possible shade of grime, and a pair of patchwork trousers upheld by a single suspender. In the winter he wore a coat which he had inherited from his grandfather. The sleeves had been cut off at the elbow, and Pacorrito considered it a handsome fit, as overcoats go. A rag which aspired to be a muffler was wound like a snake round and round his neck, and on his head he wore a cap which he had picked up at the Rastro. He had little use for shoes, which he considered in the light of a hindrance, neither did he wear stockings, having a great aversion to the roughness of the threads.