"Good-night, good-night, Master Arnoton!"
"Good-night; good-night, my children!"
It was a clear night; the stars seemed brightened by the cold; the wind was nipping; and a fine sleet powdered all these cloaks without wetting them, just in order to preserve the tradition that requires Christmas to be white with snow.
On the very crest of the mountain the castle appeared like a goal, with its huge mass of towers and gables, the chapel steeple rising straight into the blue-black sky, while a thousand little lights moved rapidly hither and thither, blinking at all the windows, and looking, against the intense black of the building, like the tiny sparks that glimmer in a pile of burnt paper.
After passing the drawbridge and the postern, in order to reach the chapel, one had to cross the first court, crowded with coaches, footmen, sedan-chairs, and bright with the flame of torches and the glare from the kitchens. One could hear the clicking of the spits, the rattling of pots, the tinkling of crystal and silver, as they were laid out for the banquet; and above it all floated a warm vapor smelling of roasted meats and the pungent herbs of complicated sauces, which made the farmers, as well as the chaplain, the bailiff, and everybody say,—
"What a good supper we shall have after Mass!"
II.
Ding, ling, ling! Ding, ling, ling!
Midnight Mass has begun. In the chapel of the castle, which is a miniature cathedral, with intercrossed arches and oaken wainscoting up to the ceiling, all the tapestries are hung, all the tapers lighted. What a crowd of people, and what sumptuous costumes! Here, in one of the carven stalls that surround the choir, sits the Sire of Trinquelague, clad in salmon-colored silk, and around him all the noble lords, his guests. Opposite them, on velvet fall-stools, kneel the old dowager Marchioness, in a gown of flame-colored brocade, and the young lady of Trinquelague, wearing on her pretty head a great tower of lace puffed and quilled according to the latest fashion at the court of France. Farther down the aisle, all dressed in black, with vast pointed wigs and cleanly shaven chins, sit Thomas Arnoton the bailiff, and the notary, Master Ambroy, two sombre spots amid the high colors of silks and brocaded damasks. Then come the fat major-domos, the pages, outriders, the stewards, Dame Barbe with her great bunch of keys dangling from her side on a ring of fine silver. On the benches in the rear is the lower service,—butlers, maids, the farmers and their families. And last of all, far back against the doors, which they discreetly open and close, come the cooks, between two sauces, to catch a little whiff of the Mass, bringing with them into the bedecked church, warm with the light of so many tapers, odoriferous suggestions of the Christmas supper.
Can it be the sight of these crisp white caps that diverts the reverend father's attention? Or is it not rather Garrigou's bell?—that fiendish little bell that tinkles away at the foot of the altar with such infernal haste, and seems to be saying,—