The following inscription is placed upon Columbus' house, No. 37, in the Vico Dritto Ponticello, Genoa, Italy:
NVLLA. DOMVS. TITVLO. DIGNIOR.
HAEIC.
PATERNIS. IN. AEDIBVS.
CHRISTOPHVS. COLVMBVS.
PRIMAQVE. JVVENTAM. TRANSEGIT.
(No house deserved better an inscription.
This is the paternal home of Christopher Columbus, where
he passed his childhood and youth.)
THE GENOA STATUE.
"Genoa and Venice," writes Mr. Oscar Browning, in Picturesque Europe, "have much in common—both republics, both aristocracies, both commercial, both powerful maritime states; yet, while the Doge of Venice remains to us as the embodiment of stately and majestic pre-eminence, we scarcely remember, or have forgotten, that there ever was a Doge of Genoa. This surely can not be because Shakspere did not write of the Bank of St. George or because Genoa has no Rialto. It must be rather because, while Genoa devoted herself to the pursuits of riches and magnificence, Venice fought the battle of Europe against barbarism, and recorded her triumphs in works of art which will live forever. * * * Genoa has no such annals and no such art. As we wander along the narrow streets we see the courtyards of many palaces, the marble stairs, the graceful loggia, the terraces and the arches of which stand out against an Italian sky; but we look in vain for the magnificence of public halls, where the brush of Tintoretto or Carpaccio decorated the assembly-room of the rulers of the East or the chapter-house of a charitable fraternity."
The artistic monument of Columbus, situated in the Piazza Acquaverde, facing the railway station, consists of a marble statue fitly embowered amid tropical palms, and is composed of a huge quadrangular pedestal, at the angles of which are seated allegorical figures of Religion, Geography, Strength, and Wisdom. Resting on this pedestal is a large cylindrical pedestal decorated with three ships' prows, on which stands a colossal figure of Columbus, his left hand resting on an anchor. At his feet, in a half-sitting, half-kneeling posture, is an allegorical figure of America in the act of adoring a crucifix, which she holds in her right hand. The four bas-reliefs on the sides of the pedestal represent the most important events in the life of the great discoverer: (1) Columbus before the Council of Salamanca; (2) Columbus taking formal possession of the New World; (3) his flattering reception at the court of Ferdinand and Isabella; (4) Columbus in chains. It is as well that this, the saddest of episodes, should be remembered, because great actions are as often as not emphasized by martyrdom.
The first stone of the monument was laid September 27, 1846, and the completed statue formally dedicated in 1862. It bears the laconic but expressive dedication: "A Cristoforo Colombo, La Patria" (The Nation to Christopher Columbus).
Genoa claims, with the largest presumption of truth, that Christopher Columbus was born there. The best of historical and antiquarian research tends to show that in a house, No. 37, in the Vico Dritto Ponticello, lived Domenico Colombo, the father of Christopher, and that in this house the Great Admiral was born. In 1887 the Genoese municipality bought the house, and an inscription has been placed over the door. To give the exact date of Christopher's birth is, however, difficult, but it is believed to have occurred sometime between March 15, 1446, and March 20, 1447.
Whether Columbus was actually a native of Genoa or of Cogoletto—the latter is a sequestered little town a few miles west of the former—must ever remain a matter of conjecture. True enough, the house in which his father followed the trade of a wool-carder in Genoa is eagerly pointed out to a stranger; but the inscription on the marble tablet over the entrance does not state that the future discoverer was really born in it. This stands in a narrow alley designated the Vico di Morcento, near the prison of San Andrea.
On the other hand, the little town hall at Cogoletto contains a portrait of Columbus, more than 300 years old, whose frame is completely covered with the names of enthusiastic travelers. The room in which he is believed to have been born resembles a cellar rather than aught else; while the broken pavement shows how visitors have at various times taken up the bricks to preserve as relics. As if this undoubted evidence of hero worship were insufficient, the old woman in charge of the place hastens to relate how a party of Americans one day lifted the original door off its hinges and carried it bodily away between them.
As all the world knows, Columbus died at Valladolid on the 20th of May, 1506. It has always been a matter of intense regret to the Genoese that his body should have been permitted to be shipped across the seas to its first resting-place in San Domingo. More fortunate, however, were they in securing the remains of their modern kinsman and national patriot, Mazzini.