The elder Jacobite laird died in 1767, and was gathered to his fathers in the old Kirk of Gask. He was succeeded by his only son, the younger Jacobite laird. He continued to adhere with the most unshaken steadfastness to the cause of the Prince, for whom he had done and suffered so much, and brought up his family in the strictest principles of loyalty to the King over the water. When his family read the newspapers to him after his eyesight became impaired, if the names King or Queen occurred, they must only indicate this by employing the initials K. or Q., otherwise he sharply reproved them.
When Prince Charles died in 1788, leaving an only brother, Cardinal York, many of the Jacobites transferred their allegiance to George III., and most of the Scotch Episcopalian clergy began to pray for the reigning family, which they had not hitherto done. Among these was Mr Cruickshanks, Episcopal minister at Muthill, who occasionally officiated at Gask. When Mr Oliphant heard this, he at once wrote to Mr Cruickshanks that, as he had now disqualified himself for officiating at Gask, his services would be henceforth dispensed with. He sent to him his official robes, and returned some books, the reading of which he had got from Mr Cruickshanks. It is said that George III., hearing of Gask's unswerving constancy, sent, by the member of Parliament for Perthshire, his compliments—not the compliments of the King of England, but of the Elector of Hanover—to Mr Oliphant. He died in 1792, and was succeeded by his eldest son Laurence, the third of that name in succession. It was this laird who pulled down the "Auld House" in 1800, except a part of the front wall, which was allowed to stand, as an interesting ruin, and around which now centre so many tender and hallowed associations. He also built the present large and substantial mansion-house, which occupies a commanding situation a few yards from the "Auld House." With the concurrence of the Presbytery, he removed the Parish Church and manse from the site on which they had stood for several centuries to another about a mile to the north. This must have been in many respects a very desirable change, both for the laird and the minister. There were only a few yards formerly between the mansion-house and the manse, and this proximity must have at times been rather uncomfortable for both. A more eligible site, however, could easily have been got on which to build the new church and manse, but it possesses the great advantage of being central for the whole parish.
About the period at which we have now arrived in our narrative there was emerging into fame a member of the Oliphant family, who was destined to throw as bright a lustre around that name as any who had ever borne it—who is styled "the brightest jewel in the Oliphant crown." I refer to Carolina Oliphant, who was the third daughter of the younger Jacobite laird, and who was named after the King over the water. She was born in the "Auld House"—which she afterwards celebrated in song—in the year 1766. She gave early indication of superior poetic genius and high musical accomplishments. Her great aim was to purify the national songs, and to render them more suitable for the use of the people. And she was led to attempt this from an incident related in her memoirs. "Driving, during the annual fair, through a small hamlet in the neighbourhood, she remarked many persons holding in their hands a small book with a yellow cover. Desirous of ascertaining what a publication so popular might contain, she despatched her footman to purchase a copy. It proved to be a collection of songs and ballads, many of which were ill suited for the hands of youth." But she also composed a large number of original songs of great excellence, two of which are of exquisite beauty and tenderness—"The Land o' the Leal" and "The Auld House." In early life Miss C. Oliphant had an intimate friend and companion in Miss Erskine, daughter of the Episcopal minister at Muthill. Miss Erskine was afterwards married to Campbell Colquhoun of Killermont. Their first child died when scarcely a year old. This led Carolina Oliphant to write "The Land o' the Leal," which she sent with a letter of condolence to Mrs Colquhoun in her sad bereavement. But the strictest secrecy was enjoined as to the writer of it, and for many years thereafter only a very few knew that this beautiful and touching song was written by Carolina Oliphant. At one time it was supposed to have been written by Burns on his death-bed, and the first line then was—"I'm wearin' awa', Jean"; but it never appeared in any collection of his poems. The songs of Lady Nairne have now become so well known and so highly appreciated, that it is scarcely necessary to refer to them at fuller detail here. She was married to Major Nairne in 1806 in an upper room of Gask House. As Major Nairne then held an official appointment in Edinburgh, they took up their abode in that city, in a cottage built for them by the old Chief of Strowan, called Carolina Cottage. She there employed her pen in composing songs for the Scotish Minstrel, while she enjoyed the intellectual society into which she had been introduced, and in which she was so well fitted to shine. One of her songs, "The Attainted Scottish Nobles," had a great influence in restoring them to their former titles. When George IV. visited Edinburgh in 1822, Major Nairne and other attainted Scottish Peers were introduced to the King at Holyrood. And when it came to the knowledge of the King that Mrs Nairne had written that song it made him favourable to the introduction of a measure which passed through both Houses of Parliament, and received the Royal sanction in June, 1824, for the reversal of the attainders. Major Nairne was then restored to his rank in the Peerage as Lord Nairne, and Mrs Nairne became Baroness Nairne, by which she has ever since been known.
Lord Nairne died in 1830, and was succeeded in the title by his only son, William, sixth Lord. Lady Nairne felt deeply her bereavement, but was sustained under it by the comforts and consolations of religion. She henceforth devoted all her efforts to the mental culture and moral and religious training of her only child. She removed to different parts of the country for the benefit of his health. But with all her maternal care he sickened and died at Brussels in 1837. By the death of her son the ties which bound her to the world were in a great measure severed, and her thoughts and affections were raised to that higher and holier state on which those who were nearest and dearest to her had now entered. She returned to Gask in 1845, and spent the last two years of her life within a few yards of the spot where she was born. She had received early religious impressions when on a visit to Murthly Castle, and these were greatly deepened by the successive trials and bereavements wherewith she was visited. She still continued to take a great delight in doing good and in contributing to advance the cause of religion in the world. Having a sum of money at her disposal, she consulted Dr. Chalmers as to the most useful and charitable purposes to which it might be applied. And it was at this time that she contributed £300 to Dr. Chalmers' West Port Mission, on the condition that he should never reveal the name of the donor. She was as careful to conceal her good deeds as she had been to conceal the authorship of the beautiful songs she composed. She gradually became weaker and weaker, but as the "outward man decayed the inward man was renewed day by day." In her song of the "Auld House" she beautifully describes how, at the evening of the day,
"The setting sun, the setting sun,
How glorious it gae'd doon."
So in the evening of the day of her life her sun went gloriously down to rise and shine in a fairer land—"The Land o' the Leal." She was buried in Gask Chapel, which is erected on the site of the old Parish Church, and to the building of which she contributed. A few years ago a granite cross of beautiful design and workmanship was erected to her memory by Mr Oliphant in the grounds of Gask. It bears the appropriate inscription:—
CARMINA MORTE CARENT
CAROLINA OLIPHANT
BARONESS NAIRNE
BORN AT GASK, 1766
DIED AT GASK, 1845
If superior poetical genius, great moral worth, and high Christian character deserve to be held in remembrance, there are few more entitled to this honour than Lady Nairne. Nor could a more appropriate spot have been chosen by Mr Oliphant on which to rear this tribute of affectionate regard to the memory of his grand-aunt than in the midst of that beautiful scenery which she loved so well, and which she has immortalised in her songs. Lady Nairne, however, has reared for herself a monument far more durable than that of brass or granite, in her beautiful songs, which, as the inscription truly says, will never die.
I must here make a brief reference to a native of this parish, who, although born and brought up in humble life, yet attained to great eminence in his profession. I refer to Laurence Macdonald, who for some time wrought as a common mason, but who showed a strong genius for sculpture. The first piece of work of that kind that he did was the family coat-of-arms of Garvock House. Mrs Oliphant discerning his rising genius in this direction, took him to the Continent when the Gask family removed there in 1822, to afford him better opportunity for the cultivation of this art. He ultimately settled in Rome, and became one of the first British sculptors in that city. He was there known as Lorenzo de Gasco, from his native parish. In recognition of the kindness he had received from the Gask family, he afterwards sent as a gift to the laird one of his best works, which now occupies a prominent position in the House of Gask.
James Blair Oliphant died in 1847, and was buried in the Gask Chapel. "He was the eighteenth in unbroken male succession from the William Oliphant upon whom Robert Bruce bestowed the lands of Gask." After his death the estate was under trustees for nearly twenty years. And during this period a litigation was carried on as to the right of succession. Mr Oliphant of Condie was confident that he could establish his claim to be the nearest male heir. But there was a link wanting in the chain of evidence, and he failed to realise his sanguine expectations. The estate then came into the possession of the late laird's sister's family, when the eldest son, Mr Kington Oliphant, succeeded to it nearly thirty years ago.