Go to the Congressional Directory and investigate the origins and past performances of the present members of the lower house—our typical assemblage of typical politicians, the cornerstone of our whole representative system, the symbol of our democracy. You will find that well over half of them are obscure lawyers, school-teachers, and mortgage-sharks out of almost anonymous towns—men of common traditions, sordid aspirations, and no attainments at all. One and all, the members of this majority—and it is constant, no matter what party is in power—are plastered with the brass ornaments of the more brummagem fraternal orders. One and all, they are devoid of any contact with what passes for culture, even in their remote bailiwicks. One and all their careers are bare of civilizing influences.... Such is the American Witenagemot in this 146th year of the Republic. Such are the men who make the laws that all of us must obey, and who carry on our dealings with the world. Go to their debates, and you will discover what equipment they bring to their high business. What they know of sound literature is what one may get out of McGuffey’s Fifth Reader. What they know of political science is the nonsense preached in the chautauquas and on the stump. What they know of history is the childish stuff taught in grammar-schools. What they know of the arts and sciences—of all the great body of knowledge that is the chief intellectual baggage of modern man—is absolutely nothing.

H. L. Mencken

JOURNALISM

According to the World Almanac for 1921 the daily circulation of newspapers in the big cities of the United States in 1914 (evidently the most recent year for which the figures have been compiled) was more than forty million. For the six months ending April 1, 1920, the average daily circulation of five morning newspapers and eleven evening newspapers in Greater New York City was, as shown by sworn statements, more than three and a third million. These statistics cover only daily newspapers, not weekly or monthly journals; and the figures for New York do not include papers in languages other than English. The American certainly buys newspapers. To what extent he reads them it is impossible to determine. But we may fairly assume that the great majority of literate inhabitants of the United States of all ages are every day subjected in some measure to the influence of the newspaper. No other institution approaches the newspaper in universality, persistence, continuity of influence. Not the public school, with all other schools added to it, has such power over the national mind; for in the lives of most people formal schooling is of relatively short duration, ceasing with adolescence or earlier. The church? Millions of people never go to church, and the day when the clergy dominated human thought is gone for ever. If we add to the daily press the weekly and monthly periodicals, with a total circulation per issue of two hundred million (for the year 1914), we shall not be far wrong in saying that the journalist, with the powers behind him, has more to do, for good or for evil, than the member of any other profession, in creating and shaping the thoughts of the multitude. Compared with him the teacher, the preacher, the artist, the politician, the man of science, are restricted, interrupted, indirect in reaching the minds of their fellow-men.

So that in estimating the capacities and contents of the American mind, which we have no means of lining up in its hundred million individual manifestations and examining directly, an analysis of the American newspaper is a fair rough-and-ready method. What everybody reads does not tell the whole story of what everybody is, but it tells a good deal. Moreover, it is not necessary to analyze any one newspaper or to separate its clientèle from that of any other newspaper. For though everybody knows that the New York Tribune and the New York World have distinct qualities which differentiate them from each other, that some papers are better and some are worse, yet on the whole the American newspaper is amazingly uniform from Portland, Maine, to Portland, Oregon. It is, indeed, a more or less unified institution fed by the same news services and dominated by kindred financial interests. If you travel much, as actors do, without interest in local affairs, when you go to the hotel news-stand in the morning, you cannot tell from the general aspect of the newspaper you pick up what city you are in; and in a small city it is likely to be a metropolitan paper that has come a hundred miles or more during the night. Indeed, this is the first thing to be learned about the American from a study of his newspapers, that he lacks individuality, is tediously uniform, and cut according to one intellectual pattern. He may have his “favourite” newspaper, and with no sense that his confession of habitude is shameful he may write the editor that he has read it constantly for forty years. But if it goes out of existence, like his favourite brand of chewing-gum or cigarettes, there is no aching void which cannot be comfortably filled by a surviving competitor. Editors, except those in charge of local news, move with perfect ease from one city to another; it is the same old job at a different desk.

The standardization of the newspaper reader and the standardization of the journalist are two aspects of the same thing. As a citizen, a workman, a human being, the journalist is simply one of us, a victim of the conformity which has overwhelmed the American. When we speak of the influence of the journalist, we are not speaking of an individual, but of “the powers behind him,” of which he is nothing but the wage-earning servant, as impotent and unimportant, considered as an individual, as a mill-hand. Journalism in America is no longer a profession, through which a man can win to a place of real dignity among his neighbours. If we had a Horace Greeley to-day, he would not be editor of a newspaper. He would not wish to be, and he would not be allowed to be. Certainly his vigorous integrity would not be tolerated in the modern unworthy successor of the newspaper which he founded. The editor of a newspaper is no doubt often a man of intelligence and experience and he may be well paid, like the manager of a department store; but he is usually submerged in anonymity except that from time to time the law requires the newspaper to publish his name. His subordinates, assistant editors, newswriters, reporters, and the rest, are as nameless as floor-walkers, shipping clerks, salesladies, and ladies engaged in more ancient forms of commerce.

It is true that during the last generation there has been a tendency in the newspaper to “feature” individuals, such as cartoonists, conductors of columns, writers on sport, dramatic critics, and so on. But these men are artists, some of them very clever, who have nothing to do with the news but contribute to the paper its vaudeville entertainment. During the war there was a great increase in the amount of signed cable matter and correspondence. This was due to the necessity of the prosperous newspaper to show its enterprise and to cajole its readers into believing that it had men of special ability in close touch with diplomats and major-generals collecting and cabling at great expense intimate information and expert opinion. The circumstances were so difficult that the wisest and most honest man could not do much, except lose his position, and nobody will blame the correspondents. But it is significant that not a single American correspondent emerged from the conflict who is memorable, from the point of view of a more or less careful reader, as having been different from the rest. If from a miscellaneous collection of clippings we should cut off the dates, the alleged place of origin and the names of the correspondents, nobody but an editor with a long and detailed memory could tell t’other from which, or be sure whether the despatch was from Mr. Jones, the special correspondent of the Christian Science Monitor (copyright by the Chicago News) or an anonymous cable from the London office of the Associated Press. And even the editor, who may be assumed to know the names of hundreds of his colleagues and competitors, would begin his attempt at identification by examining the style of type to see if it looked like a column from the Sun or from the World. Almost all the war news was a hopeless confusion of impressions, of reports of what somebody said somebody else, “of unquestionable authority,” had heard from reliable sources, and of sheer mendacity adapted to the momentary prejudices of the individual managing editor, the American press as a whole, and the American people. And this is a rough recipe for all the news even in times of peace, for the war merely aggravated the prevalent diseases of the newspapers.

Since the purpose of this book is to discuss peculiarly American characteristics, it should be said at once that the tendency of the newspaper to obliterate the journalist as a person immediately responsible to the public is not confined to America. Economic conditions in Europe and America are fundamentally alike, and the modern newspaper in every country must be a business institution, heavily capitalized, and conducted for profit. In England the decline of journalism as a profession and the rise of the “stunt” press has been noted and deplored by Englishmen. Years ago it meant something to be editor of the London Times, and the appointment of a new man to the position was an event not less important than a change in the cabinet. Who is editor of the Times now is a matter of no consequence except to the man who receives the salary check. English journalism is in almost as bad a case as American. In England, however, there is at least one exception which has no counterpart in America, the Manchester Guardian; this admirable newspaper has the good fortune to be owned by people who are so rich that they are not obliged, and so honest that they are not willing, to sell out. It is this fact which has afforded Mr. Scott, the editor-in-chief for nearly half a century, an opportunity adequate to his courage and ability. There are few such opportunities in England, and none in America. Even the Springfield Republican has largely lost its old character.

As for the continental papers, one who does not read any of them regularly is in no position to judge. In 1900 William James, a shrewd observer, wrote in a letter: “The Continental papers of course are ‘nowhere.’ As for our yellow papers—every country has its criminal classes, and with us and in France, they have simply got into journalism as part of their professional evolution, and they must be got out. Mr. Bosanquet somewhere says that so far from the ‘dark ages’ being over, we are just at the beginning of a new dark-age period. He means that ignorance and unculture, which then were merely brutal, are now articulate and possessed of a literary voice, and the fight is transferred from fields and castles and town walls to ‘organs of publicity.’” This is only a passing remark in an informal letter. But it is a partial explanation of American yellow journalism which in twenty years has swamped the whole press, including papers that pretend to be respectable, and it suggests what the state of things was, and is, in France.

It should be noted, however, that personal journalism has not entirely disappeared in France, that the editor can still be brought to account, sometimes at the point of a pistol, for lies and slander, and that a young French littérateur, before he has won his spurs in poetry, drama, or fiction, can regard journalism as an honourable occupation in which it is worth while to make a name.